Chicago Fine Art

human ~ A National Juried Exhibition to benefit Heartland Alliance

2012-01-15T13:31:00.007-06:00

Gallery 180 of The Illinois Institute of Art-Chicago presents: “human", a collection of fine art, from around the country, that explores the human form as well as the human condition. The exhibition includes a variety of painting, drawing, photography and sculpture. Commissions from the sale of work, included in this exhibition, will be donated directly to Heartland Alliance for Human Needs and Human Rights which provides life changing opportunities to people around the world who are homeless, seeking safety or living in poverty.

I selected twenty artists from around the country to present their work in this exhibition. This year, the exhibiting artists are: Christopher Andres, South Bend, IN; Marisa Andropolis, Algonquin, IL; Tamie Beldue, Black Mountain, NC; E. Thurston Belmer, St. Louis, MO; John Benedetto, Winnetka, IL; Brandon Briggs, Bowling Green, OH; Adrian Cox, St. Louis, MO; Audry Cramblit, Chicago, IL; Matthew Dercole, Chicago, IL; Benjamin Fedosky, Berkeley, CA; Sheila Ganch, Chicago, IL; Vesna Jovanovic, Chicago, IL; Paula Kloczkowski Luberda, Naperville, IL; Jason Lascu, Nashville, TN; Catherine Maize, South Haven, MI; David Mazure, Milford, PA; Nichole McCormick Santiago, Williamsburg, VA; Ted Preuss, Chicago, IL; Jim Tansley, Chicago, IL; Kenju Urakubo, Jackson Heights, NY; and Jonathan Weiss, Chicago, IL

The plaster-sculpted self-portrait, by Benjamin Fedosky [shown above], is included in the “human” exhibition. The piece was inspired by a trip to the ancient city of Pompeii. Fedosky explains…

Displayed among the ruins were plaster casts made from the bodies buried in volcanic ash. These stark and evocative artifacts impressed me immensely. Upon returning home, I began working in directly modeled plaster. This technique involves building a form that is both modeled and carved as the plaster sets until the sculpture is finally realized. The work began as a study of my face. The face quickly became a head, then a bust, developing over a month’s time through a concentrated dialogue between the process, subject, and materials.

“human” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through March 1, 2012. Previews begin on January 16th with a catered Opening Reception scheduled for Friday, January 20th from 5:30-7:30pm. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information—and images from the exhibition—can be found at gallery180.com.

Benjamin Fedosky is a sculptor and painter living in Berkeley, CA. He studied at the University of Wisconsin-Milwaukee from 1997-1999 and has since developed a self-directed approach to his art and studio practice. Working primarily with the sculpted human form and the painted landscape, Fedosky uses suggestive modeling, active surface treatments, and expressive mark-making to create evocative works that pursue the essence of subject and form. Fedosky has exhibited in solo and group shows throughout the U.S. and in Canada, and his works are held in selected private collections.

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Pamela Michelle Johnson ~ Closes Thursday

2012-01-10T21:51:00.002-06:00

The above image is a page from the December issue of "Where" magazine, Chicago. It highlights the imagery of Pamela Michelle Johnson, currently on exhibit at Gallery 180 of The Illinois Institute of Art-Chicago

If you haven't had the opportunity to experience the large scale food paintings, you have only a few more days. The exhibition closes on Thursday. Galley 180 of The Illinois Institute of Art-Chicago is located at 180 North Wabash, which is the corner of Lake and Wabash in Chicago's Loop. See gallery180.com for details.
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Valerie Schiff and The Art of Human Rights

2011-12-28T09:38:00.016-06:00

Last week, I received an email from Valerie Schiff. The message had an interesting subject line. Normally, if the sender is not familiar to me, the email is trashed. But this subject line read: “Two Artists THOUGHT WE SHOULD MEET”. I was intrigued. Who was Valerie Schiff? And which two artists suggested that we meet?

Of course I googled Schiff and found a web site filled with figurative sculpture in terracotta or bronze. Again, I was intrigued. We scheduled a meeting and met yesterday morning in her Evanston studio.

When I arrived, a seasoned sculptor greeted me. Her work surrounded us. The scale of the pieces caught me off guard…they were much larger then they appeared on line. I spent some time wondering around the room exploring the various nuances’ of each piece, before sitting down to chat. Even in mid-conversation, I was drawn to yet another subtle gesture incorporated into one of the forms. I found myself up—out of my chair—again, wondering around the room, while continuing our discussion.

As I explored, I found that Schiff’s work was not a study of the human form but a study of the human soul. The emotion found in her work, emits a connection with the viewer. The viewer is drawn into the form—whether realistic or abstract—they are emotionally moved.

I invited Valerie Schiff to present a few of her works in the upcoming “The Art of Human Rights” event. It is an event that benefits Heartland Alliance—a charitable organization that I’ve worked with for the past few years. This year, I am chairing the affair, which will take place at the Coalition gallery [217 N. Carpenter, Chicago] on Saturday March 10th —followed by “coffee with the artists” on Sunday morning. Commissions from the sale of work will be donated directly to Heartland Alliance. Tickets for the event can be purchased at: heartlandalliance.org or by contacting Michelle Marvin directly at 312.660.1339 or mmarvin@heartlandalliance.org. I hope to see you there… save the date! Saturday, March 10th 7-10pm.

In the coming weeks, I will be writing about "The Art of Human Rights" event as well as the artists who were invited to participate.
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Sheila Ganch ~ human

2011-12-23T16:45:00.012-06:00

Image: Sheila Ganch, "Clustered" • stoneware, aluminum, limestone • tallest form 21” each base is 3” x 3” • 2011

I received a shipment of exhibition catalogs for the "human" exhibition, from the printer today. Iv'e work with Modern Postcard for a number of years and they always seem to do an amazing job... and they did it again. The twenty-four page 8.5 x 11", full color catalog, documents the various artists selected for this exhibition. After the pieces were selected, each of the artists were ask to provide a short statement and a one-hundred word biography. This information was used to create the catalog, which will be used to promote the show and to help with the sale of the work.

The "human" exhibition was produced as a benefit for Heartland Alliance. Commissions from the sale of work, will be donated directly to Heartland Alliance for Human Needs and Human Rights, which provides life changing opportunities to people who are homeless, seeking safety or living in poverty. Copies of the catalog will be sent to my collector base and will be available during the exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. The exhibition opens to previews on January 16, 2012.

One of the sculptors included in "human" is Sheila Ganch. Her grouping of abstracted figures titled 'Clustered", has elements of stoneware and aluminum. In talking about her work, Ganch explains:

A string of challenges are considered and resolved in the creation of these clay forms. The material is sculpted, coaxed, textured, low fired, pigmented, and finally high fired to produce the stoneware sculpture. The final form is mounted on limestone. A single figure in the grouping is cast aluminum, which was sand casted from one of my original stoneware forms.

A reflection of my process, these pieces emerge from an intuitive level that evolves when the clay, stone and metal merge to create what is a thought provoking artistic form. This final form does not exist within a vacuum, but can only be seen as a result of the process. “Clustered”, is the result of a this process. It seeks to capture a sense of community that is missing from our present social and political environment. These figures are gathered to share and honor their differences.

Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com. Other work by Sheila Ganch can be found at: sculpturebysheilaganch.com

Sheila Ganch received her degree from Ohio State University, but considers her postgraduate training with other fine sculptors to be the reason for her success. Her work has been exhibited at the Bellevue Washington City Sculpture Show, The Fort Wayne Museum of Art; Fort Wayne, IN, The Chicago Cultural Center, The Illinois Institute of Art-Chicago, The Harold Washington Library; Chicago and Veridian Gallery; New York. Ganch is currently represented by Gallery H; Three Oaks, Michigan, and The Chicago Art Source Gallery; Chicago.
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Ted Preuss ~ human

2011-12-22T17:54:00.014-06:00

Image: Ted Preuss, "Recline", Silver Gelatin Print, 17" x 22", edition of 10

One of the amazing artists, selected to exhibit at the upcoming "human" exhibition, soon to be presented at Gallery 180 of The Illinois Institute of Art-Chicago is photographer, Ted Preuss. Preuss, a Colorado native, is currently living and working in Chicago. His work is not new to me. I've followed his career for the past six or eight years. His imagery has always been tasteful and exquisitely elegant. Three pieces will be included in the exhibition. Preuss defines his work:

The subject matter in which I photograph is not unique. It is what captures my mind’s eye and imagination. As an artist, I have always been interested in the human form and its many interpretations. I believe there is something inherently beautiful about the human body.

Through my lens I seek to capture the elegance and natural beauty of the female form, yet secretly wishing to leave traces of their identity forever. My images are studies in light and form, which blend formal and sensual qualities, radiating the individuality of my subjects through their emotion-laced gestures. Consequently the images I have captured have a warmth inner beauty with a poetic and distinct elegance.

Join us for "human", which opens to previews on January 16th. An opening reception is scheduled for Friday, January 20th from 5:30-7:30. The "human" exhibition is a national juried exhibition benefiting Heartland Alliance. Commissions from the sale of work, will be donated directly to Heartland Alliance for Human Needs and Human Rights, which provides life changing opportunities to people who are homeless, seeking safety or living in poverty.

Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com. Other work by Ted Preuss can be found at: preussphotography.com

Ted Preuss, a self-taught photographer, was born in Colorado in 1962. He picked up his first camera at the age of seven and instantly became obsessed with the nature of the medium. His passion for photography led to a career as a freelance architectural photographer for a decade in Boston and San Francisco. Today his work is primarily fine art B&W photography using vintage view camera with century old lenses. The process of making prints is as important to him as the practice of creating photographs. Preuss chose hand coated platinum-palladium as a medium for its distinct vintage quality and archival properties. His work been featured in Zoom Magazine, Focus Magazine, and Large Format Magazine.
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Kenju Urakubo ~ the human exhibition

2011-12-21T22:41:00.010-06:00

The work of Kenju Urakubo will be included into the upcoming "human" exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Opening to previews on January 16th—with an Opening Reception on Friday, January 20th from 5:30-7:30—the human exhibition is composed of work created by twenty artists from around the country. Commissions from the sale of work will be donated to Heartland Alliance. Two of the paintings included in the exhibition are from New York painter, Kenju Urakubo. His work—images of the female nude reflected onto mirrored walls of beveled glass—are beautifully painted. Urakubo explains:

Willem de Kooning’s painting “Pink Lady” has always hunted me in my mind. I am especially interested in the chaotic relation between the human figure and the straight line of the door and window, found in this painting. Influenced by de Kooning’s work, I create paintings that explore relationships between the organic human form and the sharp, hard edges of the environment. My paintings emphasize the contrast between these elements. The portrayal of a hard-edged glass wall, surrounding the human figure, is not typical of the traditional western painting—rather—it relates to the landscape found in conventional Japanese wood cut prints.

Join us for "human", which opens to previews on January 16th. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Kenju Urakubo came to the United States in 1970 after studying oil painting and graduating from Tama University of Fine Arts, in Tokyo, Japan. Urakubo’s exhibition list begins in the early 1960’s—being widely exhibited and having earned numerous awards. Some recent exhibitions include, a 2008 four-artist invitational at the Art Association of Harrisburg, and solo exhibitions at The Hoyt Institute of Fine Art in New Castle , Pennsylvania [2006] and The International Museum of Art at El Paso, Texas [2005]. Urakubo’s work is in the collections of Chase Manhattan Bank, NY, Nippon Express USA, NY and The International Museum of Fine Art, El Paso, TX. Urakubo is represented by Gallery H in Three Oaks, Michigan.

Image: Kenju Urakubo, Cora I • oil • 23.5” x 23.5” • 2009
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Nicole McCormick Santiago ~ the human exhibition

2011-12-17T10:52:00.010-06:00

Indulgence II • oil on canvas • 36.5” x 32” • 2011

"human" will be the second time that Nicole McCormick Santiago will be included into an exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Her beautiful brightly-painted narratives become a bitter reminder of the comma our over indulgent society will face, lacking moderation. A similar theme is addressed by Pamela Michelle Johnson's glutinous super-sized paintings of confectionary delights currently on exhibit at Gallery 180. McCormick Santiago's two paintings... "Indulgence" and "Indulgence II" have been selected for the "human" exhibition, opening for previews on January 16th. McCormick Santiago explains the intent of her paintings:

As the title implies, “Indulgence” and “Indulgence II” are images, which reference excess. These images are loosely based on Pieter Bruegel the Elder’s work, Land of Cockaigne, wherein Bruegel depicts a land of opulence and ease, far from the truly discordant reality. By overindulging in the surrounding goodness, Bruegel’s inhabitants fall into a gluttonous stupor, no longer useful or productive. I am contemplating some of the same ideas of bounty, immoderation, gluttony and sloth in the Indulgence images. Not unlike the inhabitants of Bruegel’s image, the figures “Indulgence” and “Indulgence II” have surrendered to their surroundings, becoming inactive as a direct result of their immoderation and excess.

"human" opens to previews on January 16th with an Opening Reception scheduled for Friday, January 20th from 5:30-7:30. All work will be available for purchase with commissions donated to Heartland Alliance. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Indulgence • oil on canvas • 33.75” x 32” • 2011

Nicole McCormick Santiago received her BFA from Indiana University and her MFA from the University of New Hampshire. She currently holds the position of Assistant Professor of Studio Art at the College of William & Mary. Her work has been featured in such publications as the Artist’s Magazine and the International Painting Annual 1 (INPA-1). Nicole has shown in over 70 group, juried, and solo exhibitions. She is currently represented by First Street Gallery in New York.
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Brandon Briggs ~ human

2011-12-16T19:54:00.012-06:00

"My work’s primary concerns are steeped in the traditional fundamentals of figurative painting: creating the feeling of weight, mass, solidity, and character. A perfect marriage of the image and its making is the primary challenge, with the relationship between image and viewer being strengthened by a narrative implied by the scale, gaze, and vulnerability of the subjects. These works are part of a larger group of nine paintings addressing the implications of allegiance in the face of sociocultural discrimination. The paintings are an investigation of the self and its relation to the group. Groups of people who share common values function simultaneously as separate individual energies, as well as a collective group force that acknowledges its own vulnerability, yet is still empowered by commonality. The paintings serve as a physical embodiment of this phenomenon by functioning as individual works with rhythms particular to their design, while harmonizing with one another to allow a greater statement to present itself."

The Human Exhibition includes work by twenty highly-talented artists from around the country. All work will be available for purchase. Commissions from the sale of work will be donated directly to Heartland Alliance to help with their work supporting Human Rights and needs. The exhibition will run through March 1st with an opening reception scheduled for Friday, January 20th 5:30-7:30. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Brandon Briggs earned his BFA in Drawing and Painting from Indiana University in South Bend Indiana in 2007 and an MFA in Drawing and Painting from Bowling Green State University in 2011. Briggs’ work has recently been on view at the Toledo Museum of Art in Toledo Ohio, The Midwest Museum of American Art in Elkhart Indiana, and Thaddeus C. Gallery in Laporte Indiana. Briggs is currently a full time instructor in the School of Art at Bowling Green State University. His work is included in numerous private collections as well as the permanent collection of the Midwest Museum of American Art.

images: Kristen, 20 [left] • oil on canvas • 28” x 19” • 2011
Lindsey, 25 [right] • oil on canvas • 28” x 19” • 2011
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E. Thurston Belmer ~ human, January 20th

2011-11-28T20:07:00.012-06:00

On January 16th, Gallery 180 of The Illinois Institute of Art-Chicago will open “human” …an exhibition of fine art, from around the country, that explores the human form as well as the human condition. The work includes a variety of painting, drawing, photography and sculpture. In the coming weeks, I'll be highlighting some of the pieces selected for the show... with a little background on the artists that created them.

E. Thurston Belmer contributes an intense, large-scale painting to the exhibition. The painting measuring 138” x 78”, is titled “Jean Porter Green.” Belmer explains the painting as a presentation of embodied trauma. He continues…

“…The scarred green background against the stark black fabric of the figures emphasizes the distance between the figures and the psychological space in which they inhabit. This image is overbearing in its scale, and like the presence and shock-realization of a traumatic experience, “Jean Porter Green” inhabits and recalls painful psychological states. The painting mimics that which we endure; it is the hardships and unavoidable trials that inform who we become. The figures function as a representation of each individual viewer, or a vacant body where experience fills out and completes each form. “Jean Porter Green” operates much like daily interactions between intimate bodies. These moments are fundamentally abstract and intangible, as “Jean Porter Green” presents an emotional and fragmented reality.”

Commissions from the sale of work, included in this exhibition, will be donated directly to Heartland Alliance to help with their work supporting Human Rights and needs. The exhibition will run through March 1st with an opening reception scheduled for Friday, January 20th 5:30-7:30. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

E. Thurston Belmer was born in Boston, Massachusetts. He currently lives and works in Saint Louis, Missouri. Belmer’s work was recently featured in national publication Direct Art Magazine with a six page spread and the back-cover. Belmer’s work has been exhibited nationally including: New York, Chicago, Missouri, Connecticut, Massachusetts, and Virginia. Recently Belmer exhibited at Murray State University in Murray, Kentucky. He has also exhibited at the Danforth Museum of Art, in Framingham, Massachusetts in Boston Printmakers Biennial 2011, which was juried by Jim Dine.

Image: “Jean Porter Green”, Oil on Canvas, 138” x 78”, 2011
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Beautiful Indulgence - Pamela Michelle Johnson

2011-10-22T14:56:00.007-05:00

Pamela Michelle Johnson / Sugar Cookies / 52"x52" / oil on canvas / 2008

Save the date: Friday, November 11... Gallery 180 of The Illinois Institute of Art-Chicago will present the mouth watering, super-sized paintings of Pamela Michelle Johnson.

The imagery presented, on the appropriately expansive canvases soon to be lining the walls of Gallery 180 of The Illinois Institute of Art-Chicago, will illustrate the wonderfully indulgent snacks and desserts commonly ingested by the American public. These masterful culinary icons represent the flavors of our childhood but the scale and content also address the overwhelming gluttony of our society. Pamela Michelle Johnson explains…

The heightened realism of these paintings serves to remind viewers that this is a mirror to our culture. Overbearing scale and gluttonous quantities, juxtaposed against foods that are both tempting and comforting, examine the conflict between enjoying the highly processed, artificially flavored bounty of American life and the progression to overindulgence and gluttonous excess.

The paintings of Pamela Michelle Johnson will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through January 12, 2012. Previews begin on November 7th. An Opening Reception will take place on Friday, November 11 from 5:30-7:30 pm. All works will be available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Pamela Michelle Johnson attended California Polytechnic State University is San Luis Obispo, California, and graduated with a B.S. in Civil Engineering and an art minor with honors. After graduation, she continued to pursue ceramics, painting and figure drawing independently while working for four years as an engineer in the construction industry. In 2003, she was awarded an artist in residency at The Institute of Ceramic Studies at Shigaraki Ceramic Cultural Park in Shigaraki, Japan. This experience was influential in her development as an artist and decisions regarding her career path.

Shortly after her return from Japan, Johnson decided to seek new direction in her life and to focus on art as a career. She uprooted from her native California, left her career in engineering, and made a new home in Chicago. There she found a thriving emerging artist culture that provided her with opportunities to continue to develop her own work within a community of other working artists. She became a member at the Palette and Chisel Academy of Fine Art to work on her figure drawing in open workshops, and began exhibiting her work in galleries and art festivals. Her body of work continues to evolve through her most recent American Still-Life series.
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Jason Bax - Filter Photo Festival

2011-10-18T20:09:00.016-05:00

Jason Bax image
I spent Sunday reviewing photographic portfolios during the final day of the Chicago Filter Photo Festival. This was my second year as a Festival Reviewer. At last year’s event, I was introduced--and inspired by--the work of Chris Raecker, currently on exhibit in Gallery 180.

This year, the festival reviews took place at the Central Loop Hotel on Adams Street. Just as last year, the participants signed up for twenty-minute face-to-face reviews with the intention of receiving candid critiques of their work. Prior to the event, the reviewers were given the names of the participants they would be critiquing. Like a child at Christmas, I googled each of the names to sneak a glimpse at the work and to read a little about each of the artists I would be meeting. Generally, the work was good… but there were some standouts.

Just before our lunch break, a tall young man with a deep voice approached my table and introduced himself as Jason Bax. He sat down and opened his portfolio. As our conversation began, I saw a little of my younger self emerge. I was reminded of the inquisitive and fearless adventurer I was in my youth.

Through our discussion, I learned that Bax is drawn to far away places… places in the world, where life is lived in a very different way from what we know. His work focuses on the beauty of everyday life… faces, environments and textures of a culture. His images represent the soul of Nepal.

Jason Bax image

You can see more work by Jason Bax on his web site: Jasonbaxphotography.com
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Chris Raecker - Artist Talk at Gallery 180

2011-10-16T22:18:00.011-05:00

Erin Hoyt Image
The Filter Photo Festival opened this past Wednesday with a reception at Gallery 180 of The Illinois Institute of Art-Chicago. The current photographer on exhibition - Chris Raecker - stepped up to talk about his body of work titled "A Midnight Carnival". The exhibition continues through November 3rd. Gallery 180 is located at the corner of Lake and Wabash in Chicago's Loop.

Erin Hoyt Image
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The Opening of Filter Photo Festival at Gallery 180

2011-10-11T19:30:00.007-05:00

The Filter Photo Festival opens tomorrow with an evening reception at Gallery 180 of The Illinois Institute of Art-Chicago. The exhibition—presenting the photography of Chris Raecker and the sculpture of Audry Cramblit—opened on September 5th and continues through November 3rd. This second reception is scheduled for tomorrow… Wednesday, October 12 from 5-6:30. Gallery 180 is located at 180 N. Wabash in Chicago’s Loop.

Image: Chris Raecker, Time to Go

A little back ground about The Filter Photo Festival... from the web site:

Filter is an organization dedicated to producing the Midwest’s premier photography event, the annual Filter Photo Festival. The Festival’s ongoing mission is to connect emerging, mid-level, and professional photographers from across the country with gallerists, educators, curators, editors, and other elite photo professionals, focusing particularly on those of the Midwest.
Filter’s goal is to not only facilitate a dialogue between members of the burgeoning Midwestern photo community, but also to extend this dialogue beyond to the north, south, and both coasts.

The 2011 Festival will take place from October 12th-16th during Chicago Artists Month, and programming will encompass a variety of events, including workshops, lectures, tours, panel discussions, networking events, and of course the portfolio reviews that remain at the heart of the Festival. The majority of our events will take place in Chicago’s downtown Loop, a vital metropolitan area famous for its world-class cultural institutions.

We are proud to be offering private tours of both the Museum of Contemporary Photography and the Art Institute of Chicago’s respective collections, and to be working with Columbia College and the Illinois Institute of Art-Chicago to co-host some of our events.
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Where Chicago Magazine

2011-10-01T10:37:00.006-05:00

Both of the artists currently exhibiting in Gallery 180, Audry Cramblit and Chris Raecker, have received some wonderful press for their photography and sculpture show which opened September 5th.

A few days ago, I received this wonderful digital tear sheet for a piece that "Where" Chicago published in their September issue. Above is an image of the page... following is the written content.

Dark Riders
For most of us, carnivals conjure up a rainbow of happy childhood memories, from sticky-sweet cones of pink and blue cotton candy to that first thrilling coaster ride. Photographer Chris Raecker sees something darker, as evidenced in his new exhibition A Midnight Carnival. In his striking, stark images of the annual National Cattle Congress fair in his hometown of Waterloo, Ia.—created by using day-for-night lenses and selective blurring techniques—the midway takes on a sinister air, as Ferris wheels and kiddie rides spin under surreally darkened skies. Trust us—you’ll never look at a Tilt-a-Whirl the same way again.

The Raecker / Cramblit exhibition continues through November 3rd with a second reception on Wednesday, October 12 from 5:30-7:30. The special reception—during Chicago Artists Month—will also kick off the Chicago Filter Photo Festival. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash in Chicago's Loop. The gallery is open to the public and all work exhibited is available for purchase.

Opening the Fall 2011 Gallery Season at Gallery 180

2011-09-10T11:53:00.010-05:00

Last night’s opening reception for Audry Cramblit and Chris Raecker at Gallery 180 of The Illinois Institute of Art-Chicago was one of the highlights of the 2011 Fall Gallery Season in Chicago. The exhibition—which runs through November 3rd—presents an amazing mixture of elaborate bronze figurative sculptures and haunting, large-scale digitally enhanced photographs.

There will be a second reception during October – Chicago Artists Month - Wednesday, October 12, 5-6:30pm. Chicago Artists Month is a citywide, event showcasing Chicago visual artists and their work throughout the month of October. Coordinated by the Chicago Department of Cultural Affairs and Special Events in partnership with the Chicago Office of Tourism and Culture, Chicago Artists Month showcases over 200 events, ranging from exhibitions to open studio tours and neighborhood art walks presented by museums, galleries, cultural centers, artist collaboratives, and other organizations throughout the city. The primary goal of Chicago Artists Month is to raise awareness of the extraordinary quality and depth of our visual arts community. Additional information can be found at: chicagoartistsmonth.org

If you missed last night’s event, feel free to drop by the Gallery 180 Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop.

Additional information can be found at gallery180.com.

The Labyrinth and A Midnight Carnival

2011-09-03T18:42:00.012-05:00

Image: Audry Cramblit, “Agatha” 2010, bronze

Audry Cramblit ~ “Labyrinth”

Chris Raecker ~ “A Midnight Carnival”

September 5 - November 3

Reception: Friday, September 9, 5:30-7:30

With a special Second Reception: Wednesday, October 12, 5-6:30

Gallery 180 of The Illinois Institute of Art-Chicago presents the figurative sculpture of Chicago artist, Audry Cramblit, alongside the moody, digitally-enhanced photography of Chris Raecker. Combining the work of these two amazing fine artists brings the mystery of surrealistic fantasy to Gallery 180.

In the body of work titled “Labyrinth”, Sculptor Audry Cramblit creates stunning textural surfaces and exquisite patinas that adorn her intimate figurative forms of clay and wax. The final pieces—ceramic or bronze—address the mind and body of humanity, paying homage to the psyche and physical elegance of the human form. Each figure is uniquely embellished to define Cramblit’s intention: The meandering but purposeful journey toward self-reinvention.

Image: Chris Raecker “Disk”, 2007, digitally enhanced photography

Perception is manipulated in the body of work titled “A Midnight Carnival” created by Chris Raecker. In these photographs, Raecker presents moody, digitally enhanced imagery of the annual mid-September fair called the Cattle Congress. The event—Located in Waterloo, Iowa—has a midway with bizarre contraptions and activities. Upon his first encounter, Raecker knew that this environment was perfect for creating imagery flavored with joy and modified to expose a darker side. His photographs only begin to tell a story that touches on childhood memories, perception and the surreal impression of the psyche.

The sculpture of Audry Cramblit and the photography of Chris Raecker will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through November 3. Previews begin on September 5th. An Opening Reception will take place on Friday, September 9 from 5:30-7:30 pm …with a special second reception on October 12th from 5-6:30pm. This second reception will be in conjunction with the events of Chicago Artists’ Month, as well as to kick off this year’s Filter Photo Festival. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

ZIA Gallery celebrates its first anniversary

2011-07-17T10:31:00.005-05:00

In Winnetka—on Chicago's Northshore—there is a wonderful storefront gallery that opened its doors about a year ago. Marking this anniversary, ZIA Gallery will be presenting an exhibition comprised of the ZIA Gallery Artists. The work ranges from the self-analytical photography of Maggie Meiners, and the hyper-real bridge paintings of Roland Kulla to the highly conceptual, meditative surface paintings, which I’ve been producing for the past two decades. The Reception for this group exhibition will take place on Friday, July 29 from 5-7:30pm. Information follows… I hope that you’re able to attend.

ZIA|Gallery celebrates its first anniversary
with a Group Exhibition showcasing all of its artists.

The creative impulse is fundamental to being human. Compelling art engages the mind and spirit. From an intuitive process to a deliberate, analytical approach and every combination in between, ZIA’s artists bring their diverse expressions to life. Come see the strength and individuality inherent in their artwork.

The exhibition includes work by: Mary Burke, Clyde Butcher, Michael Cutlip, Marc Dimov, Rick Dula, Holly Farrell, Charles Gniech, Karina Noel Hean, Anne Hughes, Bob Krist, Deanna Krueger, Roland Kulla, Maggie Meiners, Julie Meridian, Josh Moulton, John Musgrove, Matt Schofield, John Vlahakis, Kathy Weaver, Carl Wilen, and Beverly Zawitkoski

The public is invited to attend the opening reception July 29, 5–7:30. A number of our artists will be in attendance pleased to welcome you and answer any questions while you take in their works and enjoy a beverage and delicious, appetizers. The exhibition runs Friday, July 29 through August 31, 2011.

Group Exhibition of ZIA|Gallery Artists
Opening Reception: July 29, 5pm - 7:30pm.

ZIA Gallery
548 Chestnut St. Winnetka, IL 60093
847-446-3970
ziagallery.net

Image: Charles Gniech, Meditation II, 48 x 36"

human ~ a national juried exhibition

2011-06-27T18:46:00.012-05:00

Above is an image of Young Suk James Kim's "Expulsion" which was just one of the pieces acquired for The Illinois Institute of Art-Chicago's Permanent Fine Art Collection. It became a part of the school's collection as a purchase award during a show titled "The Human Form" which was presented at Gallery 350 from July 31 - September 6, 2006. Well, It's time to explore figurative imagery, once again, with "human" a national juried exhibition, which will run at Gallery 180 from January 16 through March 1, 2012. The Deadline for entry [received] is Saturday, October 15.

This National Juried Exhibition is open to all artists, living or working in the US. Work must be original. All media except video and installation are eligible. Sculpture is encouraged. No size restrictions. Each artist may submit up to 3 pieces for the entry fee of $30.

The Illinois Institute of Art-Chicago will purchase at least one piece from the exhibition for inclusion into the school’s Permanent Collection. The collection is diverse and can be viewed online at gallery180.com. The Purchase Award/s will be selected by committee and will be announced at the opening reception.

All submitted works must be for sale. The Illinois Institute of Art-Chicago will retain a 50% commission from all purchases made during the exhibition. A portion of the commission will be donated to Heartland Alliance for their work in Human Rights. The exhibition will be highly publicized. A color exhibition catalog will be produced to help promote sales.

You can download the Exhibition Prospectus on the home page at gallery180.com

Image: From The Illinois Institute of Art-Chicago Corporate Collection: Young Suk James Kim, "Expulsion" oil, 56" x 66"
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Tom Torluemke ~ Precious and Few

2011-06-15T11:49:00.004-05:00

Tom Torluemke's exhibition, titled "Precious and Few", will open at Gallery 180 of The Illinois Institute of Art-Chicago on August 5th. This incredible body of work is filled with imagery laced in surrealistic fantasy. Torluemke uses this strange and beautiful realism to convey his thoughts on current events as well as presenting the emotions that define humanity. Torluemke writes:

"With the exception of the two paintings each depicting a couple kissing, my works are motivated or inspired by the desire to combine ideas, thoughts, emotions and feelings for the creation of a painting so that those thoughts and emotions, etc. are turned expressively into a material form.

Life's complicated. Its range is vast. I don't understand it, I only sense there's some rhythm to it. Much of which is near invisible, or at least I can't describe it with words. So I choose to use images, color and shapes to come as close as I can to the mystery of life. Once I think I'm close to it, it's like it was a mirage, I rub my eyes to see if it's real and it's gone again.

Back to the kissing paintings, what I do best. When life gets too difficult, I think of a tender, loving moment. That's why I make those."

The paintings of Tom Torluemke will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through August 31. Previews begin on July 26th. An Opening Reception will take place on Friday, August 5 from 5:30-7:30 pm. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Image: At Home 2007, [kissing], oil on canvas, 70 x 54.5", $12,000.00

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Roberta Kozuch ~ Layers

2011-05-31T08:44:00.008-05:00

Opening June 8th for preview, Gallery 180 of The Illinois Institute of Art-Chicago will present the multi layered paintings of Roberta Kozuch.

Influenced by the International Style of design, each piece in this series of paintings references a strong grid system. Much of the imagery is created by combining strips of re-purposed paint-splashed canvas, found typography and found imagery. The paintings are then reevaluated and reworked into powerful statements of pattern and texture. Kozuch explains...

“The paintings become representations of the experiences we encounter as we move through our lives—and the layers of experiences, which make us who we are.”

The work of Roberta Kozuch will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through July 22. An Opening Reception will take place on Friday, June 10 from 5:30-7:30 pm. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com
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George Billis Gallery at Art Chicago

2011-04-22T17:07:00.003-05:00

April 29 - May 2, 2011, Opening Preview April 28
The Merchandise Mart, 12th Floor

The George Billis Gallery [New York and LA] will be representing my work, this year, at Art Chicago. Art Chicago, the annual international fair of contemporary and modern art, brings together the world's leading emerging and established galleries. Art Chicago offers curators, collectors, artists and art enthusiasts a comprehensive survey of current and historic work, from cutting-edge to modern masters in a wide variety of media including: painting, photography, drawings, prints, sculpture, video and special installations.

The show runs through Monday, May 2. Tickets are valid for Art Chicago, NEXT, and the Merchandise Mart International Antiques Fair. Adults: $20 daily or $25 multi-day pass... Seniors, Students or Groups: $15 multi-day pass, Children 12 and under are free. It's an amazing event... wear comfortable shoes!

Image: Charles Gniech, "Quiet Surface I", 24" x 24", acrylic on canvas
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Vintage Polish Poster Exhibition at CONNECT

2011-04-13T06:35:00.008-05:00

The Spring CONNECT Graphic Design Conference will be held at the Merchandise Mart Conference Center on Thursday and Friday, May 5 & 6. The event kicks off at 6pm on Thursday evening with a screening of the documentary, "Freedom on the Fence". Executive Producer and Prominent collector of Polish posters, Martin Rosenberg, will introduce the film and further discuss the topic at the film's conclusion.

Freedom on the Fence is a 40-minute documentary about the history of Polish posters and their significance to the social, political and cultural life of Poland. The film examines the period from WWII through the fall of Communism, and captures the paradox of how this unique art form flourished within a Communist regime. The documentary contains interviews with older and younger generations of poster artists, examples of past and current poster work, historic and current film footage of where and how the poster is viewed, and commentaries from both American and Polish scholars and artists on the significance of the Polish poster as a cultural icon. Directed by Glenn Holsten and Andrea Marks, Executive Producer: Martin Rosenberg, Producer: Andrea Marks.

The CONNECT conference concludes on Friday evening with a reception for the Vintage Polish Poster exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. The reception is from 5:30-7:30pm. Gallery 180 is located at 180 N. Wabash—corner of Lake and Wabash—in Chicago's Loop. Posters included in the exhibition are available for purchase. All of these events are free to the public.

You can find additional information on the CONNECT Graphic Design Conference at ai-connect.com
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Tom Torluemke ~ Save the Date

2011-04-10T22:09:00.010-05:00

I first became aware of Tom Torluemke’s work while attending a dinner party at a friend’s home. Looking at two large canvases in the host’s personal collection, I was intrigued. I was introduced to the artist at another social event, which allowed me an opportunity to connect a face with the work that had captured my interest. It seemed obvious to me that we would be working together in the future. Since then, I kept Torluemke's work on my short list for exhibiting at Gallery 180 of The Illinois Institute of Art-Chicago. A few weeks ago, I finally had the opportunity to visit with Torluemke at his amazing home and studio in Indiana.

Torluemke is an intriguing artist. After showing me around his space, we sat in his studio and talked about the work. We eventually began exploring the stacks of paintings, which surrounded us.

Torluemke’s canvases are composed of multiple-layered components. Surreal in a dreamlike collage of imagery—one element melting into the next—the work thrusts the viewer into an environment of psychological and social commentary. Torluemke's aesthetic transcends the concrete and allows for a fully developed voice within the context of his concern for truth and expressions of deep emotion, feeling and spirituality.

The work of Tom Torluemke will be on exhibit at Gallery 180 of The Illinois Institute of Art-Chicago from July 26 through August 31. A reception is scheduled for Friday, August 5, 5:30-7:30. Gallery 180 is located at the corner of Lake and Wabash in Chicago's Loop. The exhibition is free and all works are available for purchase. Save the date... It's going to be an amazing show!
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Marc Dimov and Carl Wilen at ZIA Gallery

2011-03-22T21:57:00.006-05:00

This Friday, March 25th, ZIA Gallery will be opening an exhibition by artists Marc Dimov and Carl Wilen from 5-7:30pm

Marc Dimov is exhibiting a series of photographs dealing with the subject of fish and sustainability. Through an artist's residency, Dimov photographed fish at a a wholesale seafood distributor. Approaching the warehouse, with 5 photographic prints of fish, he expressed that he wanted to photograph their inventory. Once he mentioned that the work was about sustainable fishing practices, they immediately gave him charge of their facility. Each fish was photographed individually with the fins meticulously spread open to highlight the beauty of the animals. It's interesting work... a—must see—exhibition.

Carl Wilen has been creating art for more than 45 years. The ZIA Gallery exhibition gives a taste of the artist's imaginative range of two and three-dimensional—evocative and clearly personal—fine art.

The exhibition continues through April 30th. The gallery is open Monday-Saturday, 10 - 5. It is located 2 blocks from Winnetka's Metra Station. ZIA Gallery is located at 548 Chestnut Street in Winnetka, Illinois. You can also find ZIA online at: ziagallery.net
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Corinne D. Peterson ~ Markers

2011-03-17T08:23:00.012-05:00

A huge fan of her sculptural work, I bookmarked Corinne Peterson’s web site months ago …A couple of weeks ago, I contacted her to request a studio visit. One morning last week, I met with Corrine Peterson at her studio in Ravenswood.

When I arrived at Peterson’s studio in the Lillstreet Art Center, I met a woman who—I knew—had a story to tell. As she offered me a seat on one of her sculptures, I could see the knowledge of an incredible lifetime peering out through her eyes. I asked her to tell me about herself and about the work she had created. She sat down on a nearby sculpture, slipped on sweater and began to share the stories of how she arrived at this particular point in her life. As we spoke, I found myself exploring the room filled with a variety of works from the recent past. The works were spiritual and introspective. The tactile qualities of the meditative ceramic monoliths define a place in time from prehistory—a topic reflected in my own work. I was intrigued. I had found an artist with a perspective, similar to my own, with a three-dimensional outcome.

Peterson began her journey roughly 25 years ago. Working as a psychotherapist, and now a successful Chicago-based sculptor, Peterson tapped into Jungian analysis to find her way to making her amazing monuments. Jungian analysis is a type of therapy that encourages attention to dreams and art in exploring one’s life. Peterson’s dreams stem from growing up on a farm in Minnesota, with fond memories of a nearby clay bank. The clay—and the influence of markers found in the French countryside—eventually evolved into ceramic monoliths representative of the mile markers of Peterson’s life. In a 2007 article in Ceramics: Art and Perception [issue 69], Peterson points out that she is still working with her dreams which allows her to stay acutely aware of the border between the conscious and unconscious, while exploring both.

I plan to present an exhibition of Peterson’s work early next year. Perhaps, I will be exhibiting with her. Until then, you can find her work at: cdpeterson.com

Pamela Michelle Johnson ~ Abundance

2011-03-11T06:49:00.012-06:00

"It's the taste of America. It is what we eat. It is who we are. The insatiable American appetite is set on a path of consumption. Devouring to the point where we are left with nothing, nothing but the consequential garbage. Quintessentially American, junk food is not just part of our diet, it epitomizes our cultural ideals and social norms. Through my work, I strive to invoke reflection on a culture focused on mass-consumption and mass-production, where the negative aspects of overindulgence are often forgotten or ignored. The work questions a culture that equates fulfillment, pleasure and happiness with what we consume." ~ Pamela Michelle Johnson

I first became aware of the work of Pamela Michelle Johnson while reviewing entries for a juried exhibition. Johnson's work wasn't appropriate for that group show but I knew that I would eventually present her work in a solo exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. At that time, I sent her a note telling her how much I enjoyed the work and that I would be in contact.

After connecting a few times via e-mail, I stopped by Johnson's Wicker Park studio yesterday afternoon. I was looking forward to seeing the large-scale canvases and to finally meeting the artist in person. I was greeted by a charming smile—and after exchanging pleasantries—I was asked to take a seat in the living room while she acquired the large canvases from an adjoining storage area. Each time she reemerged, I was confronted with another amazing image. Much like exploring a Chuck Close painting, the imagery comes into crisp focus from a distance yet the loose application of oil paint is obvious upon close inspection. The gooey layers of decadence are intriguing.

"...Overbearing scale and gluttonous quantities, juxtaposed against foods that are both tempting and comforting, examine the conflict between enjoying the highly processed, artificially flavored bounty of American life and the progression to overindulgence and gluttonous excess. The work is both gross and enticing" ~ Pamela Michelle Johnson

The work of Pamela Michelle Johnson is appropriately scheduled to be presented at Gallery 180 of The Illinois Institute of Art during the upcoming holiday season. Until then, You can find her work online at: pamelamichellejohnson.com

Above: Pamela Michelle Johnson, Ice Cream I, oil on canvas, 54"x34"
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Audry Cramblit ~ Labyrinth

2011-03-10T21:42:00.015-06:00

I arrived at the studio of Audry Cramblit [and Ted Preuss] shortly after ten o'clock this morning. Being familiar with Cramblit's past sculptural work, I scheduled a studio visit to experience the most recent pieces from a body of work titled "Labyrinth". As I entered the space, I was confronted with a three-quarter life-size clay figure, adorned with patterns and textures similar to a dimensional body mehndi. As we hovered over the beautiful reclining figure, I learned a little more about Cramblit's creative process and discussed the conceptual meaning of the work. The title—Labyrinth—references the elaborate designs Cramblit uses to embellish her intimate forms. She elaborates on her web site... "The ancient pattern of the labyrinth weaves and circles into itself and then back out again... [it] is a meandering but purposeful journey toward self-reinvention; [The work is] a sculptural expression, not only of my personal voyage as an artist but also... an affirmation that we are on our right path."

Not all of Cramblit's pieces are almost life size. In fact, many of the pieces stand only 12-14 inches high... and the ornate details are amazing. Cramblit works both in clay as well as wax. Many of the pieces are cast in bronze [as additions or one-offs] adorning beautiful patinas. Audry Cramblit's work will be presented at Gallery 180 of The Illinois Institute of Art-Chicago, this fall. Until then, you can explore additional imagery on her web site: audryc.com
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Lorraine Sack ~ Bird Lore

2011-03-05T21:03:00.006-06:00

Gallery 180 of The Illinois Institute of Art-Chicago presents the oil paintings of Lorraine Sack. This still life and figurative exhibition—complete with subtle representations of perfectly rendered birds—defines Sack’s delight for the feathered creatures, as well as her passion for painting. Influenced at an early age by her mother’s enthusiasm for birds, Sack learned—and was inspired by—stories of their magical capabilities, their unique songs, and their beautiful markings. Sack explains…

“…This fascination led me to begin a dialog—in paint—exploring bird lore. The theme is rich. The wealth of birds used in mythology, folklore, religion, poetry, proverbs, and lyrics make it both easy and challenging to choose what to create…” Sack continues… “I am a painter because I can't imagine otherwise. The process of designing and painting the figure or still life is what makes me eager to work in the studio everyday. I work only with natural light and from life—allowing me to capture the subtle shifts of light and subject. The process and the creation of the image is intoxicating.”

Amazing to look at, Sack has devised a method of painting using oil on linen without turpentine or mediums. The result is a pure and vibrant painting. She weaves together various colors, using line and shape as visual guides within the work.

The paintings of Lorraine Sack will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through May 2. An Opening Reception will take place on Friday, March 11 from 5:30-7:30 pm. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Image: Lorraine Sack, "Kingfisher" oil on linen, 36x24, $6,900.
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Combining Work ~ Tansley and Jovanovic?

2011-03-04T09:40:00.019-06:00

I’ve spent the past few weeks scheduling studio visits with a variety of artists… attempting to compile the exhibition schedule for Gallery 180 through 2012. My intention for future presentations, is to combine the work of a two and a three-dimensional artist for each exhibition… finding a common thread within the work.

Early last week, I had the opportunity to visit Jim Tasley in his studio at the Fine Arts Building on Michigan Avenue. I’ve worked with Tansley in the past—exhibiting pieces included into group exhibitions. I was excited by the new paintings posted on his web site so I wanted to experience the work in person.

When I arrived at Tansley’s studio, I found the walls covered with work, hung salon style. The fourteen-foot ceilings allowed placement for numerous images from his current body of work as well as some smaller framed pencil drawings exploring the creation of his visual language. Moving on to the rich colorful canvases, I was intrigued by the layers of chaos becoming organized into beautiful flowing organic forms. It seemed that the composition created obvious contrasts of tensions with areas of rest, symbolic of the cycles of daily life. There was something pulling me into each canvas… urging me to further explore the complex patterns of shape, texture and color. I found these images intriguing and plan to include Tansley's work in a future exhibition at Gallery 180. You can view some of Tansley’s work at: jimtansley.com

Interestingly enough—yesterday afternoon, I met with another artist whose work seems to merge seamlessly with Tansley’s imagery. Vesna Jovanovic has a studio in Lincoln Square where she begins her drawings by dripping ink onto paper, hanging them on the wall and exploring the random forms until she sees the beginning of an image. The process continues… She draws into the random drips, creating an organized—and sometimes subtly political—composition through the buildup of beautifully executed organic line. The funny thing is that I was actually there to see Jovanovic’s sculptural work.

The vessels—most standing three to four feet tall—are again, based on somewhat random exploration. The pieces are begun with a process of coiling clay on a potter’s wheel and—prior to being fired—the walls of the vessels are cut to expose a variety of interior surfaces... exposing beautiful hidden forms beneath the—once solid—exterior shell. The forms shift as they are fired, offering an element of chance to the final presentation. Perfect in their imperfection, the vessels are fired at extreme heat [cone 6], and the final surfaces are often an unexpected surprise. Additional work by Vesna Jovanovic can be found on her web site: vesnaonline.com

It seems obvious that the work of these two artists should be seen together. Watch for the future exhibition at Gallery 180 of The Illinois Institute of Art-Chicago.
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A Wonderful Event ~ The Art of Human Rights

2011-02-26T20:10:00.016-06:00

Last night’s “The Art of Human Rights” event, was wonderful. The event was packed with Artists as well as Collectors supporting Heartland Alliance. This annual event helps Heartland Alliance to provide housing, healthcare, economic security, and legal protections services to more than 200,000 people whose lives are threatened by poverty and danger, including those living with HIV and AIDS. The after work cocktail party and art auction—both live and silent—was produced by the Junior Board headed by Stephanie Scherra and Kristin Weiss… both amazing women.

The event provided me with an opportunity to connect with the array of Artists that I’ve worked with over the years. This generous group of painters, photographers and sculptors are the people who offered their talents to generate the financial donations. Without the support of these Artists, the Collectors would not have anything to collect—and this Heartland Alliance event would not exist.

The above image is a painting donated by Indianapolis Artist, Lorraine Sack. I’ve been lucky enough to work with Sack for—roughly—the past ten years. I first came across her work when I produced a show titled “Naked or Nude” for the Fine Arts Building Gallery. Not only does Sack produce beautiful still life imagery, she is also an amazing figure painter. If memory serves, I believe that two of her pieces were included in that Fine Arts Building Gallery exhibition ...and both sold.

A Master Painter, Sack has developed a technique of painting with oil paint on linen, without turpentine or mediums, creating a pure and vibrant painting [paraphrased from her web site]. The paint is applied in layers—weaving together colors and values. The works are amazing. And yes—last night—I purchased the wonderful painting shown above, during the live auction.

If you're still interested in purchasing work to support Heartland Alliance, you can do so by visiting the photo ’11 exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. All commissions from the sale of work will be donated directly to Heartland Alliance for their Art of Human Rights benefit. All of the imagery from the exhibiting photographers can be seen at gallery180.com The exhibition closes March 3rd.

Above: Just one section of the crowd from last night’s Heartland Alliance event at Gruen Gallery, Chicago.
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The Art of Human Rights: Friday, February 25th

2011-02-17T12:13:00.009-06:00

Join me on Friday, February 25th for "The Art of Human Rights" [formerly Art Against AIDS], hosted by the Junior Board of Heartland Alliance. This charitable event features live and silent fine art auctions with a variety of work created by local and national artists. Donating artists include: Frances Cox, Ted Preuss, Maggie Meiners, Audry Cramblit, Paula Kloczkowshi Luberda, Sheila Ganch, and Carol Luc. This is just a partial list of the generous and wonderfully talented participating artists. Follow this link to review the available work.

This after-work cocktail party and fine art auction will benefit Heartland Alliance in providing housing, healthcare, economic security, and legal protections services to more than 200,000 people whose lives are threatened by poverty and danger, including those living with HIV/AIDS.

This year's event will take place at Gruen Galleries located at 226 West Superior Street in Chicago. The festivities begin at 6:30pm. Tickets can be purchased online at www.artofhumanrights.com starting at $125.
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Sheridan Road ~ ZIA Gallery

2011-02-13T21:04:00.003-06:00

It’s always nice to receive recognition for the work you create as an artist. About a month ago, Maggie Meiners, Deanna Krueger and myself met with writer, Laura M. Browning and photographer, Jim Prisching at the ZIA gallery to discus our upcoming exhibition. Browning and Prisching work for Sheridan Road Magazine and were meeting with us to learn about “Reflections” the three-person exhibition presented at ZIA Gallery through March 19th.

The wonderfully written single-page article—complete with color images—gives a little insight into our individual bodies of work and concludes by pointing out that each of us is actually just attempting to find peace within the chaos of modern life. Browning concludes the article by pointing out, “…Each artist’s work is about fragmentation and about reflection, about giving something back to its audience.” The article is beautifully written and the portrait by Prisching is wonderful. Images from the exhibition are available at ZIAgallery.net
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ZIA Gallery ~ The Missed Reception

2011-02-12T15:56:00.008-06:00

It’s highly unusual that I don’t make it to the opening reception of a local exhibition that includes my own work. In fact, I think that this was a first.

Last Friday, ZIA Gallery in Winnetka, opened a three-person exhibition titled “Reflections”, which presented my acrylic paintings along side of the photographic imagery of Maggie Meiners and the mixed media pieces of Deanna Krueger. Painfully, a respiratory infection kept me in bed. Feeling miserable, I knew that there was no way to attend the event. Waiting until the last minute—hoping that I might feel better, I made a call to the gallery and my apologetic words came out sounding a bit like a toad… they understood.

The following day, I received a few calls from supporters concerned at my absence. I was told that the reception was well attended and that the exhibition looked great. So today—a week later and feeling a bit better—I headed up to ZIA Gallery to experience the show for myself. I was pleased. Anne Hough, the Gallery Manager, did a wonderful job presenting the work. We chatted for a bit and discussed the variety of press that the show received. I’ll be sharing some of that in future posts.

If you have an opportunity to head up to the north shore of Chicago, visit ZIA Gallery at 548 Chestnut. The show continues through March 19th.
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Gina Randazzo ~ photo '11

2011-02-10T10:01:00.007-06:00

Gina Randazzo is another of the artists who's work is currently being presented in the "photo '11" exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. The simplistic beauty of Randazzo's repetitive patterns emerging from darkness, are used to comment on a society focused on acquisitions. Randazzo elaborates:

This series of images is an expression of my feelings about living in a society where so much emphasis is placed on shopping. Sometimes it seems to me that consumerism is the main component of American culture, now exported around the world. (I photographed malls in India that look like Sherman Oaks, CA.) While I am extremely thankful that I am able to procure the goods and services I need to live comfortably, I aim to question the constant pressure I feel to enter and engage in the commercial marketplace.

I photographed consumer environments with an eye towards examining the architecture and design that invite consumption. I depict my psycho-physical reactions to the surroundings by removing the mid-tones from the photographs, causing the environment to disintegrate. My framing highlights the disorientation caused by visual overload. I attempt to display the subtexts of sexual desire and religious awe that the consumer is subliminally exposed to. The resulting images explore the emotions evoked by my experience of consumerism.

Gina Randazzo is one of ten artist exhibiting in photo '11 at Gallery 180 of The Illinois Institute of Art-Chicago. Commissions from sales will benefit Heartland Alliance in their Human Rights efforts. The entire exhibition can be seen at gallery180.com The exhibition continues through March 3rd.

Shopping 2 [top] Archival Pigment Print, open edition, 12.5 x 18.5, framed at 17" x 23", 2010, $600.
Shopping 4 [above] Archival Pigment Print, open edition, 12.5 x 18.5, framed at 17" x 23", 2010, $600.
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Reflections: Opening This Friday at ZIA Gallery

2011-02-01T08:58:00.008-06:00

Opening, this Friday at Zia Gallery in Winnetka, Illinois, is a three-person exhibition titled "Reflections". The show is the culmination of work by Maggie Meiners, Deanna Krueger and myself. From the press release, Anne Hughes [Gallery Manager] defines the exhibition...

Each artist employs a different process and medium to develop bodies of work, which involve reflection. The photographic imagery of Maggie Meiners depicts direct, symbolic constructs of self, while Gniech uses both the process of painting and his abstracted interpretations of previously human-interpreted natural forms to evoke meditation. Deanna Krueger combines a high-tech, medical diagnostic film with a hands-on, seemingly crude manipulation of materials to arrive at a sophisticated, shimmering reconstruction.

“Reflections” will be presented at ZIA Gallery through March 19. The Opening Reception will take place on Friday, February 4, from 5-7:30pm. Zia Gallery is located at 548 Chestnut Street in the village of Winnetka — just seventeen miles north of Chicago with easy access from the Winnetka Metra Station.

ZIA Gallery specializes in contemporary American photography, painting and works on paper. The gallery represents established and emerging artists in a range of styles and media with eight exhibitions annually. For additional information, contact Anne Hughes, Gallery Manager, at 847.446.3970 or via ZIAgallery.net
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Debbie Yost ~ photo '11

2011-01-25T10:14:00.022-06:00

Debbie Yost is relatively new to the world of fine art photography, yet her work is stunningly beautiful and sophisticatedly consistent. Yost presents the beauty of fresh frozen plant life trapped in a geometric crystallization of ice. The imagery brings to mind our youth-obsessed culture with its fears of the aging process and its preoccupation with Botox. The budding artist freezes her subjects before the wilting and imperfections begin. Yost's doesn't make reference to the use of metaphor, Instead, she focuses her comments on the visual aesthetic created by the natural and reoccurring patterns found within the imagery. Yost explains:

My inspiration for this series comes from the photographic work of Karl Blossfeldt (Urformen Der Kunst), as well as the work of Edward Weston, and the allure of nature itself. I’m interested in the variety of forms, details and patterns naturally occurring in all botanicals and organics. The intricate detail within the structure of plants is captivating, providing an abstract view of nature through the repetition of shapes and patterns. I’m inspired to investigate this diverse but orderly world that sometimes goes unnoticed or taken for granted. Plants should be valued for their aesthetic, architectural structures, and my photographs depict the appearance of these structural elements. They are displayed in ice. With the density, opacity and texture both on the interior and on its surface, ice provides an interesting medium within which to observe the plants. Furthermore, the division of space, light and shadow accentuates nature’s details, while the silhouettes highlight the structure and texture. The detail present in these organic forms ultimately reveals the fundamental structure of the natural world.

Yost is one of ten artist exhibiting in photo '11 at Gallery 180 of The Illinois Institute of Art-Chicago. Commissions from sales will benefit Heartland Alliance in their Human Rights efforts. The entire exhibition can be seen at gallery180.com The exhibition continues through March 3rd.

Images:
[top] Sunflowers in Ice
Silver Gelatin Print, edition of 20, 12.5” x 10", 2009

[above] Anthurium in Ice
Silver Gelatin Print, edition of 20, 12.5” x 10", 2009
Crabapples in Ice
Silver Gelatin Print, edition of 20, 12.5” x 10", 2009

Each image is available for $400.
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Christopher Shoup ~ WKCC radio interview

2011-01-23T11:21:00.009-06:00

Christopher Shoup, one of the ten artists who’s work was selected to for inclusion into the photo ’11 exhibition at Gallery 180 of The Illinois Institute of Art-Chicago, was featured in a nine minute NPR radio story this past weekend. The interview gives insight into Shoup’s process and a little background information on the selection process of the photo '11 exhibition.

"photo ’11" opened this past Friday with a catered reception, courtesy of the Institute’s Culinary School. The exhibition continues through March 3rd and the commissions from all sales will be donated directly to Heartland Alliance for their work toward Human Rights. The exhibition can also be viewed online at gallery180.com

Please feel free to contact me directly for purchase inquires.

Image: foreground: Christopher Shoup, Rock Pile, Purple Asters, Salina Township 24” x 24” • 2010 [edition of 10] $700.

Background images: Debbie Yost… More on Yost in future posts.

Christopher Shoup ~ photo '11

2011-01-14T07:35:00.014-06:00

I started my day—yesterday—meeting with Heather Claborn, a Producer and Reporter for WKCC Public Radio in Kankakee, Illinois. Claborn is doing a story on Christopher Shoup—one of the ten Artists participating in photo '11, the National Juried Exhibition which will open at Gallery 180 of The Illinois Institute of Art-Chicago on the 21st. The exhibition presents a snapshot of the imagery currently being produced with—or through—the photographic process. The show is produced in conjunction with the annual Art of Human Rights® event to benefit Heartland Alliance. Commissions from work sold will be donated directly to Heartland Alliance to help with their work in supporting human rights. Proceeds will help Heartland Alliance provide housing, healthcare, economic security, and legal services to more than 200,000 people whose lives are threatened by poverty and danger, including those living with HIV/AIDS.

Claborn is a beautiful and charming woman with a very large portable microphone. We sat down in a room, adjacent to Gallery 180, to discussed the importance of the Heartland Alliance, the photo '11 Exhibition—and specifically—the inclusion of a piece by local Artist, Christopher Shoup. The interview was an interesting experience. I rarely explain how exhibitions are created and why specific works are selected. In the case of Shoup's "Rock Pile, Purple Asters...", I was drawn to the peaceful repetitive qualities of the abstracted imagery.

Shoup photographically isolates details found in nature then repeats the image—altering, flipping as well as adding new imagery modules to a grid—creating a geometric pattern similar to that of a kaleidoscope. The final image is a culmination of complex segments resulting in an intriguing and approachable visual experience.

An exhibition catalog for the "photo '11" exhibition was produced to help in the promotion of this benefit show. Included is Shoup's statement and it reads as follows:

A drive through my native Salina Township in rural Illinois reveals blocks of farm fields interspersed with fragments of nature and remnant farmsteads. But a stop, followed by a closer exploration, reveals a complex ecology thriving within man’s landscape. There is rich soil, composed of thousands of year’s worth of prairie flora’s decomposition; there is sand, blown from the bottoms of past sloughs; farm rock piles contain granite boulders that were carried from Canada on the backs of the last glaciers, and creek beds cut through submerged limestone formations—records of ancient coral reefs.

Rock Pile/Purple Asters is one piece in a growing body of work that captures the vestige beauty of Salina Township. Its hand-tiled construction, select points of focus and impressionistic background highlight my use of the camera as a painter’s brush more than a fine arts instrument.

The Christopher Shoup interview is scheduled to air on WKCC 91.1FM, on Thursday January 20th.

Please join me for the opening reception of "photo '11" on Friday, January 21st from 5:30-7:30. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The exhibition is free and open to the public. All works are available for purchase and commissions will be donated to Heartland Alliance. The entire exhibition can also be found at: gallery180.com

Image: Christopher Shoup
Rock Pile, Purple Asters, Salina Township, 24 hand-tiled 35mm photographs; perfect mounted on MDS; sealed with polyurethane, 24" x 24", 2010, $700

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photo'11: A Photography Exhibition to Benefit Human Rights

2011-01-07T11:16:00.023-06:00

Image: Jeff Phillips

"Tourist Crowd Encounters Storm", Inkjet / Pigment Print, open edition, 24” x 65”, 2008

January 17 – March 3
Opening Reception: Friday, January 21, 5:30-7:30 pm
Gallery Hours: Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm

Gallery 180 of The Illinois Institute of Art-Chicago presents “photo ’11”. This exhibition is the result of a national call for artists and presents a snapshot of the imagery currently being produced with—or through—the photographic process. The show is produced in conjunction with the annual Art of Human Rights® event to benefit Heartland Alliance. Commissions from the sale of work included in this exhibition, will be donated directly to Heartland Alliance to help their work in supporting human rights. Proceeds will help Heartland Alliance provide housing, healthcare, economic security, and legal protection services to more than 200,000 people whose lives are threatened by poverty and danger, including those living with HIV/AIDS.

Exhibiting Artists that are local to Chicago include: Jennifer Jackson [Chicago], Maggie Meiners [Winnetka], Jeff Phillips [Chicago], Ted Preuss [Chicago], Christopher Shoup [Bradley], and Debbie Yost [Park Ridge]. Additional Artists include: Ginny Mangrum [Walnut Creek, CA], James Mullen [Brunswick, ME], Gina Randazzo [Hastings-on-Hudson, NY], and Barbara Simcoe [Omaha, NE].

When the show selections were finalized, each accepted artist was asked to submit a statement defining their work. A catalog composed of the various Artist’s statements—as well as images of the included work—is available at the exhibition.

Image: Ted Preuss

"Virtue", Silver Gelatin Print, edition of 10, 14 x 20”, framed size 22” x 28”, 2006

With work featured in Zoom Magazine, Focus Magazine, and Large Format Magazine, Chicago Photographer, Ted Preuss defines his depictions of the human body as being inspired by the figurative work found in Ancient Greece as well as Renaissance, Italy. Pruess explains:

I believe there is something inherently beautiful about the human body. Using traditional techniques and a large format view camera with century old lenses, I seek to capture the elegance and natural beauty of the female spirit. My images are studies in light and form, radiating the individuality of my subjects through their emotion-laced gestures. Consequently, the images capture the subject’s warm inner beauty with a poetic and distinct vintage feel.

Jeff Phillips is fascinated by the random arrangements of public gatherings. Phillips explains:

As my crowd-spotting series evolves [image at top of post], I become better at identifying opportunities: a crowded tourist attraction, a busy intersection, and a packed subway car are all opportunity-rich environments. I look for animated characters within separate groups of people who—absorbed in their own moments—are often completely unaware of the contribution they are making to the larger scene.

Image: Jennifer Jackson

"Fuller Lane", Archival Print from Film, edition of 125, 16” x 20”, 2010

Jennifer Jackson reveals inhabitable spaces from her past. Her words and her work—poetically—tells the story:

My household turned from five to four when I was still new to this world. The home on Washington Street that makes up my first moments of life, and the only memories of my father living with us, is where my obsession with architecture began. The next three residences we inhabited; Reading Court, Fuller Lane, and Route 59, marked significant turning points in our lives.

Knowing that we would never occupy a particular space for long I grew increasingly obsessed in how one occupies a space, where they place their belongings, and how they design their environment and create a home. For me, this act of nesting mimics the manner in which one archives moments from their past. In most cases, one chooses how to store their memories as a method of coping or remembrance; we bury them to protect ourselves from pain, or they remain as fresh as the day they were created, or time picks away at the once richly layered imagery, until it fades. When one may least expect it, a memory resurfaces when confronted with a familiar smell, color, or sound. These elements trigger the memory deep within our mind until it is brought back to our consciousness.

I hope that you will have the opportunity to view this incredible collection of work—and perhaps purchase a piece to support Human Rights as well as one of these amazingly talented artists.

Photo ‘11 will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through March 3. An Opening Reception will take place on Friday, January 21, 5:30-7:30 pm. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

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The Art of Human Rights - Save the Date

2010-12-24T11:36:00.004-06:00

On February 25, 2011 the Junior Board of Heartland Alliance, will host "The Art of Human Rights" (formerly Art Against AIDS), at the Gruen Galleries, located in the heart of Chicago's River North gallery district at 226 West Superior. The event will feature live and silent fine art auctions. This after-work cocktail party boasts a variety of mediums by artists from all over the country. Above is the piece I donated this year. It is a mixed media piece titled "Monument 2" from 1992. It measures 5.5 inches square and is framed roughly 16 x 22.

Proceeds from the event will help Heartland Alliance provide housing, healthcare, economic security, and legal protections services to more than 200,000 people whose lives are threatened by poverty and danger, including those living with HIV/AIDS.

You can find more information on the event at: heartlandalliance.org
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Josh Moulton at ZIA Gallery

2010-12-16T20:12:00.004-06:00

Tomorrow night, ZIA Gallery will be hosting an opening reception for Chicago artist, Josh Moulton. Moulton's paintings capture various facets of city life... street corners and building facades. The reception is from 5-7:30pm and the exhibition will continue through January 29, 2011. Moulton's work is well collected and can be found in numerous corporate collections including Deloitte & Touche, The NMH Prentice Women’s Hospital, and Oncor International, in addition to numerous private collections.

ZIA Gallery is located at 548 Chestnut Street in Winnetka, Illinois. Additional information can be found at ziagallery.net

Hope to see you there!

Roland Kulla - ZIA Gallery

2010-12-12T14:17:00.018-06:00

I became aware of ZIA Gallery a few of months ago. Located in the village of Winnetka—17 miles north of Chicago—The gallery specializes in contemporary American photography, painting and works on paper. It represents established and emerging artists in a range of styles and media.

A day late... the Roland Kulla exhibition closed—yesterday—at the ZIA Gallery. Pieces, may sill be available... Contact Zia Gallery at ZIAgallery.net for additional information.

The Kulla exhibition—which opened at the end of October with a wonderful reception—presented a series of large scale paintings, pencil drawings, and prints which define the complex beauty of steel bridge structures. Following Kulla's career for a number of years—and seeing the work's evolution—I've come to my own conclusions about the metaphorical content of the imagery. The bridge symbolism seems obvious... the element needed to move from one point to another. But there is something more. I see the screen-like, steel-woven structures as symbolic of the barriers we need to navigate to acquire our "clear blue sky" goals. The works seem to be symbolic of achievement on so many levels. From Kulla's artist statement:

I am fascinated by the built environment. I reflect on what the structures tell about their builders as well as their interaction with nature and the results of time. Since 1998 I've focused on the engineering ingenuity that created Chicago's many bridges. Structural elements are abstracted from their context and painted with a hard-edged realism on a scale that highlights the monumentality of the forms and the creativity necessary for their existence.

Although people are not the direct subjects of my work, they are integral to it. The structures stand as proxy for human experience. I create places and moods that invite the viewer to enter into the work and form their own relationship to it.

Zia Gallery is located at 548 Chestnut, Winnetka, IL 60093. The gallery is open Monday through Saturday 10-5. Call for additional information: 847.446.3970.

Learn more about ZIA Gallery through this link.

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The Rebecca Moy Reception at Gallery 180

2010-11-21T10:53:00.007-06:00

The Rebecca Moy Exhibition opened this past Friday, at Gallery 180, with a wonderful reception catered by the Culinary school of The Illinois Institute of Art-Chicago. The Moy exhibition consists of eight large-scale canvases, elegantly manipulating the spacial relationships of line, form and color. If you're in Chicago's Loop, this is a "must see" exhibition. The show continues through January 17th.

Gallery 180 is free and open to the public. All works will be available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Nancy Rosen ~ More is More

2010-11-15T18:37:00.005-06:00

I received a call from Artist, Nancy Rosen last week. We haven't talked in awhile and she wanted to get together. She told me that she had an exhibition up and that she wanted me to see it. And so I did.

The show—of more then 100 paintings—was hung in an unconventional space on West Hubbard. Hung salon style—in a number of rooms—the variety of paintings offers the viewer some insight of Rosen's figurative journey. Covered with patterns and textures, the nontraditional renditions of women—primarily of their relationships with other women—cover almost every wall of the industrial loft space. A well-attended reception was held last month but their is still time to experience the work by appointment. If interested, contact Nancy Rosen through her web site nrosen.com

Rebecca Moy: Visceral Reaction

2010-10-27T21:13:00.008-05:00

"Against The Grain", Acrylic on Canvas, 44" x 60"

Gallery 180 of The Illinois Institute of Art-Chicago will be presenting the paintings of Rebecca Moy from November 15 through January 17th with an opening reception on Friday, November 19th from 5:30-7:30... so save the date!

Manipulating the spatial relationship of shape and color, Moy creates an intriguing world with hard-edged abstraction. The works explore the reactions that she—and the viewer—has to variations of color and form relationships. Moy explains:

“I’ve always been fascinated with the reaction of the body and mind to the visceral relationship between color and shapes. …This series of paintings becomes the physical embodiment of this investigation, as it takes place within me. I’m intrigued by the thoughts and feelings evoked by precise orchestrations of color and shape. Layer by layer, these forms create a place to remember, or perhaps a place to forget… to wonder and wander through the times and places we’ve all journeyed; perhaps these are the moments and memories which define us.”

Moy works in an abundant sanctuary—her studio—were massive canvases surround a central workspace. Here, she obsessively applies layer after layer of acrylic, inventing—and reinventing—new meditative imagery, which addresses psychological reaction to line, shape and color. Some of the compositions are presented in quiet color palettes while others seem charged with electric vibrancy... each conveying an individual mood or personality. The paintings seem to explore the color theories of Stanton MacDonald-Wright [1890-1973], which defined specific psychological interpretations of color. Moy takes these color theories a step further by incorporating shape and line into her imagery. These images provide an intriguing sensory experience.

The work of Rebecca Moy will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through January 17. An Opening Reception will take place on Friday, November 19, 5:30-7:30 pm. Gallery 180 is free and open to the public. All works will be available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Also, take a moment to drop by Gallery 180 to visit the amazing paintings of Frances Cox through November 11th.

Filter Photo Festival

2010-09-20T08:27:00.008-05:00

What a wonderful idea...

With a mission to bring fine art, commercial and documentary photographers together with some of the Midwest's top gallerists, photo editors, educators, and curators, Chicago's Filter Photo Festival will take place this October 6-10th at the Chicago Photography Center. Included in this year's event are workshops, exhibitions and lectures with world-renowned photographers. Also included is a portfolio review segment where photographers have an opportunity to meet face-to-face with educators, photo editors and curators, for feedback. The reviews are scheduled to be held on Saturday, October 9th and Sunday, October 10th from 9 am – 5 pm. Participants can sign up for either 4 or 8, twenty minute reviews to receive candid advice about their work, as well as tips for getting photographs published and exhibited.

On Sunday, October 10th, I will be participating as a reviewer.

The Filter Photo Festival will be held at The Chicago Photography Center, located at 3301 North Lincoln Avenue. Find more information on this event at chicagophoto.org
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Call for Work: photo'11

2010-09-05T00:25:00.006-05:00

Following is a link to the prospectus for the upcoming photo‘11 Exhibition. If you are not working with photography, or using photographic content within your work, please pass this information on to someone who may be interested.

photo‘11 is a National Juried Exhibition of work using photography or photographic content for its creation. The exhibition will run from January 17 through March 3 with an opening reception on Friday, January 17th.

This call for work can include everything from traditional to experimental imagery but all must be original. Each artist may submit up to 3 images for consideration. A $30 entry fee is required. The Illinois Institute of Art-Chicago will present at least one Purchase Award, with the acquired piece being added to the school’s fine art collection. All imagery selected for the exhibition will be included in a printed exhibition catalog.

Submissions must be received by the end of day November 5, 2010.

The Important Part:
Gallery 180 of The Illinois Institute of Art-Chicago is supportive of working artists as well as the community at large. With the intent of promoting individual artists and supporting charitable organizations, Gallery 180 will be donating their portion of the commission split to Heartland Alliance for their Human Rights effort. The exhibition will be highly publicized and multiple sales will be encouraged.

You can download the prospectus from the gallery 180 home page at: gallery180.com

Image, from the Fine Art Collection of The Illinois Institute of Art-Chicago:
Sarah Hadley, "Loss" photograph, 13" x 19"

Frances A. Cox: The Human Side of Botanics

2010-08-30T00:38:00.005-05:00

Gallery 180 of The Illinois Institute of Art-Chicago will present the work of Frances A. Cox from September 14 - November 11 with a reception scheduled for Friday, September 17th from 5:30-7:30.

I spent some time with Cox in her studio a few weeks ago—selecting the pieces to be exhibited for this show. The pieces are a collection of oil paintings which introduce the viewer to an abstract-surreal reality where inconspicuous portraiture is composed of plant and still life forms. Cox utilizes these forms to create her own secretly significant visual language. This personal language—comprised of a variety of recognizable components and a vivid color palette—becomes the focus of each canvas as the subtle reference to the human form recedes.

Cox explains, “When I look at plant forms, I view them as botanical singularities having the characteristics of other living things. I transfer to plants, metaphors for human feelings and appearances.”

The work of Frances A. Cox will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through November 11th. An Opening Reception will take place on Friday, September 17, 5:30-7:30 pm. This exhibition is free and open to the public. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop.

The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm.

Rebecca Moy: Coming this Fall

2010-08-13T21:54:00.012-05:00

I believe that I became acquainted with the work of Rebecca Moy during the preparation of the 2009 Art Against AIDS event. Intrigued by the work during the jury process, I selected Moy’s painting to be included in the Preview Exhibition, which was presented at Gallery 180 of The Illinois Institute of Art-Chicago. While the show was installed, I explored the piece and considered it for my personal collection. Like many collectors, I knew I wanted the piece but I was trying to decide where to place the work within our home. I put off the purchase.

The piece didn’t sell during the Preview Exhibition and it was scheduled to be on live auction at the main event. Both my partner and I decided that the Moy painting would be a refreshing addition to our growing collection. We agreed on the price we would pay and continued on with the evening. Friends and collogues filled the room. Distractions were everywhere and before we realized, the auction of the Moy painting had concluded. We had missed our opportunity.

After the auction, I approached the impeccably dressed Artist to express my interest in her work. I wanted to see more. I did. The work was consistent, intriguing and professional. I scheduled a solo exhibition for the 2010 exhibition season and asked that she stay in contact with me as the show began to solidify.

Well... I met with Rebecca—this past week—in her studio. I was invited into the abundant sanctuary were massive canvases surround a central workspace. Here was where—I imagine—the painter would obsessively apply layer after layer of acrylic, inventing—and reinventing—new meditative imagery. Some of the compositions were presented in quiet palettes while others seem charged with electric vibrancy... each conveying an individual mood or personality. They're amazing.

Above is a detail of one of the paintings in progress. The Rebecca Moy exhibition will be presented at Gallery 180 of The Illinois Institute of Art-Chicago in November. It’s a show that shouldn’t be missed. I’ll keep you posted.

Suzanne Stryk at Gallery 180

2010-07-29T11:46:00.008-05:00

Tomorrow night's catered reception will celebrate the opening of "Flyway: Birds in the Art of Suzanne Stryk" at Gallery 180 of The Illinois Institute of Art-Chicago. The exhibition highlights the past decade of Stryk’s conceptually driven nature paintings. Her work merges scientific observation with expressive replication resulting in beautiful imagery that emphasizes the intricate details of birds and insects—bringing awareness to nature’s design. Many of the works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm.

Catalog available.

Cheryl Jefferson, Author of "Death of a Raks Star"

2010-07-21T21:44:00.013-05:00

This evening at Gallery 180 of The Illinois Institute of Art-Chicago, Cheryl Jefferson read from her soon-to-be released book, "Death of a Raks Star", The lecture began with some painful statistics and ended with an interesting discussion about this human rights issue.

"Six thousand Middle Eastern women a year are reported honor killed by their families. Annually, twenty-thousand more female deaths go unreported. What did these women do to "deserve" it? Some learned to read without their father's permission. Others used the Internet or burned their husband's dinner. Many were raped by a male relative or friend, then held responsible because they "made" the rapist do it. A defiant few publicly performed raks sharqi - belly dance - a sacred rite of female strength and power for two thousand years, now the dance of death..."

Bringing attention to this human rights issue seems to be Jefferson's passion. Utilizing Gallery 180 as the venue for a literary event seemed obvious due to the content of the current exhibition. "Visual Narrative" is a national juried exhibition which presents fine art that tells a story. Initiating change is the purpose for the creation of fine art. Visual artists—as well as writers—want to communicate and connect with people. Their work becomes the voice by which they can question, document, inform, or proclaim a perspective. Artists ask questions and attempt to explore ideas …ideas which may remove the audience from their comfort zone. “Visual Narrative” seems to ask who we are as a society and how we relate to one another. Jefferson's lecture is an attempt to begin a dialogue for individual and social change.

The "Visual Narrative" exhibition will conclude on July 22nd. Additional information about the show can be found at gallery180.com. The gallery is open Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm; closed Sunday.

Jan Baiden was unable to present tonight, due to illness.

"Ripple..." comes to a close

2010-07-20T09:31:00.001-05:00

A few weeks back, I was contacted by Philip Hartigan, artist and faculty member at Columbia College in Chicago. Hartigan—born in the UK and now living in Chicago—asked me if I would consider meeting to conduct an interview related to my work and the three-person exhibition currently on view at The Art Center in Highland Park. Well... the interview was posted this morning on Hartigan's blog and it's worth a read.

As a reminder, "Ripple ~ Cause and Effect" at The Art Center in Highland Park will close on July 22nd. The exhibition—and the exhibition space— is wonderful. The three-person show includes sculpture by Paula Kloczkowski Luberda, and paintings by Yelena Klairmont and myself. The work flows together seamlessly. If you're in the area, take a quick trip to the Center... it will be worth the visit.

Birds in the Art of Suzanne Stryk

2010-07-19T09:09:00.015-05:00

The work of Suzanne Stryk will be opening at Gallery 180 of The Illinois Institute of Art-Chicago on July 26th. The exhibition is titled Flyway: Birds in the Art of Suzanne Stryk and highlights the past decade of Stryk’s conceptually driven nature paintings. Her work merges scientific observation with expressive replication resulting in beautiful imagery that emphasizes the intricate details of birds and insects—bringing awareness to nature’s design.

The studies of art and science have obvious similarities within the creative process. Stryk explains,

“… both often beginning with the question: What if? What if I put these two chemicals together? What if I search a new habitat for a rare orchid? What if I combine two disparate images? What if I create an imaginary ladder made of feathers?”

“…people see the world of art and science as much too separate… Jacques Cousteau was once asked what he thought would make people more environmentally aware. I was surprised when he replied “the study of the humanities.” … Of course, what his comment implies is not that the study of science should be neglected, but rather should be coupled with the study of the arts. I agree—the arts and sciences should be partners in making people sensitive, imaginative and knowledgeable about the living world…”

Within imagery that—at times—includes secondary elements of chromosomes and the double helix, Stryk unites her passion for zoology and entomology [insects] with a contemporary awareness of genetics. These subdued secondary marks take the imagery from beautifully decorative to work of substance. Stryk forces us to focus on the beauty of the common creature and matches the seductive form with scientific reality implying that we should take an even closer look. She writes…

“My hope is that the work suggests questions, such as: How has our knowledge of genetics altered the perception of the natural world?; How do we reconcile personal reverence for life with scientific information?; and Does the mapping of the genome unravel mysteries or actually create more?”

The work of Suzanne Stryk will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through September 9th. An Opening Reception will take place on Friday, July 30, 5:30-7:30 pm. This exhibition is free and open to the public. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm.

Image: Suzanne Stryk, Green Evolution, 2007, Mixed Media on Wood Panel, 40x60"

"Creating Change" at "Visual Narrative" ...The Author's Perspective

2010-07-09T19:19:00.013-05:00

The Visual Narrative exhibition—currently on display at Gallery 180 of The Illinois Institute of Art-Chicago—will conclude in just two weeks. Prior to the close of the exhibition, there will be another event which ties into the idea of the "Narrative". I've invited two Chicago area authors to present their most recent projects. In an attempt to begin a dialogue for personal and social change, Jan Baiden and Cheryl Jefferson will discuss the ideas contained within their recent books. The lecture and discussion will be held at Gallery 180 of The Illinois Institute of Art-Chicago, which—not so ironically—happens to be the venue for the national juried exhibition titled, “Visual Narrative”. The event will take place on Wednesday, July 21, at 6-8pm.

Utilizing Gallery 180 as the venue for a literary event seems obvious due to the content of the current show. Evoking emotion and initiating change is the purpose for the creation of fine art. Visual artists—as well as writers—want to communicate and connect with people. Their work becomes the voice by which they can question, document, inform, or proclaim a personal perspective. Artists ask questions and attempt to explore ideas …ideas which may remove the audience from their comfort zone. The exhibition, “Visual Narrative” seems to ask who we are as a society and how we relate to one another. The authors do the same but also consider the personal perspective. Baiden suggests that we seize the day and Jefferson discloses current-day criminal traditions. Inspirational, educational or provocative… an observation of the human condition will be evident in the narratives presented by our guest authors as they attempt to begin a dialogue for personal and social change.

Jan Baiden’s book, Snapshots, contains the author’s memoirs in a series of inspirational stories defining an amazingly adventurous life. The book is filled with numerous passages exploring life lessons, while containing an underlying prompt to consider opportunities as they arise. The stories seem to highlight the idea that when one door closes another opens… and what appears on the other side is always another adventure.

Choice and the potential for change is what brought author Cheryl Jefferson to write Death of a Raks Star, Book One of her Breaking Criminal Traditions Series (Copyright 2010 Cheryl Jefferson), due out in 2011.

"Worldwide, millions of women live too close to their bones and too far from their dreams because they were born into cultures of criminal tradition. Criminal traditions are real-life rituals that result in the death or maiming of thousands of women each year. These practices have been in place for centuries and the dark legacy of using them to protect male power by controlling females continues today. The mission of my novels is to expose this cycle, the passion of my life is to break criminal tradition. The initial step," Jefferson explains, "is using fiction to raise reader consciousness because consciousness is the first step toward change."

Both authors paint powerful stories of humanity. Like the visual artists, the writers look at who we've become and how we relate. The question remains—Can we create change through the power of narrative? I believe social and self awareness may be the answer.

The book lecture and discussion, “Creating Change” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago on Wednesday, July 21 beginning at 6pm. This event is free and open to the public. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop.

The current exhibition “Visual Narrative” a national juried exhibition of fine art that tells a story—will conclude on July 22nd. Additional information about the show can be found at gallery180.com. The gallery is open Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm; closed Sunday.

Above left: Jan Baiden, Right: Cheryl Jefferson

Opening Reception: Friday, July 2nd ...6:30-9pm

2010-06-30T10:59:00.006-05:00

I spent most of the day—yesterday—transporting my pieces and installing the "Ripple~cause and effect" exhibition, which opens this Friday evening at The Art Center in Highland Park. The exhibition combines the work of Paula Kloczkowski Luberda, Yelena Klairmont and myself, to present a seamless presentation of the calm and chaos of nature. The work ranges from abstract to literal with both painting and sculpture. The Art Center is an amazing venue for this beautiful and thought provoking exhibition.

The Art Center in Highland Park is located at 1957 Sheridan Road. For additional information, contact The Art Center at 847.432.1888. I hope that you have an opportunity to experience this amazing collection of work.

Visual Narrative ~ Nicole McCormick Santiago

2010-06-26T07:29:00.006-05:00

On display through July 22nd at Gallery 180 of The Illinois Institute of Art-Chicago are two pieces by Nicole McCormick Santiago, an amazing figurative artist who currently lives and works in Williamsburg Virginia. The intimate pieces, measuring roughly 30 x 24 inches, present human situations with implied narratives. The artist's intention is to "...capture the subject’s internal and layered narrative where residues of the past and suggestions of the future swirl around the present, creating a kind of “thick time.” McCorrmick Santiago goes on... "To accomplish this, I use the scattered signs of daily existence to communicate accidental yet honest storylines that provide indirect insight into the cadence of a daily life."

After the Visual Narrative exhibition was selected, I contacted each of the artist for a short statement about the selected works. Following is the statement defining "Birthday Scene" and "Ghost" by Nicole McCormick Santiago.

The artwork titled Birthday Scene is a perfect example of this sort of layered narrative and “thick time.” Situated amid a birthday celebration, the protagonist wears a juvenile pink dress symbolizing the naivety of youth. She is positioned between a birthday cake and a doll that she inattentively places or removes into or out of a gift bag. Her apprehensive expression as she gazes at the cake, is the apprehension of marriage. Indeed it is no accident this cake mimics the shape of a wedding cake. The ambiguity surrounding her actions with the doll alludes to contradicting emotions surrounding motherhood. The confusion as to whose birthday we are to celebrate reiterates the confusing rites of passage (i.e. motherhood & marriage) that the young woman faces.

When compared to Birthday Scene, Ghost, which portrays a child in a makeshift ghost costume, is a more direct narrative and contains less allegory to sift through. In order to gain a fuller narrative, this image requires one to look beyond the moment shown, to consider the time before and the moment after. Is the child just beginning her Halloween adventure or is she arriving home to rummage trough her spoils? Using the scattered signs of domestic life, one can infer the household space this child inhabits and therefore gain a better understanding of the figures depicted. The mother, although large and dominant, does not maintain a dominating role in the painting. This role is given to the child’s possessions, hence shifting the painting’s focus to align with the child’s focus. The mother is an ever-present supporting column that quietly stabilizes the moment, while the child freely explores her brightly colored world.

With twenty-one narrative works of art by thirteen artists, this exhibition is filled with thought-provoking pieces which address the human condition. The show continues through July 22nd. All works are available for purchase. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—in Chicago's Loop. Additional work by McCormick Santiago can be found at: nmsantiago.com

Images: Nicole McCormick Santiago, "Birthday Scene", 2009, oil on linen, 30 x 23 3/4" $2,000
Nicole McCormick Santiago, "Ghost", 2010, oil on linen, 30 x 23 3/4" $2,000

Visual Narrative ~ Paula Kloczkowski Luberda

2010-06-23T09:41:00.006-05:00

Visual Narrative is currently on display at Gallery 180 of The Illinois Institute of Art-Chicago. The show includes a wonderful cement figurative sculpture by—one of my favorite artists—Paula Kloczkowski Luberda. The work—personally inspirational—depicts an interaction of a man and woman interpreted with pure body language. Kloczkowski Luberda's statement from the exhibition catalog reads:"

Connected, united, joined, or linked. As an Artist, I seek to create work with concepts strongly rooted in my exploration and observation of humanity. I manipulate the colors, textures and patterns of the materials used to convey my intentions. I strive to create a bond between the viewer and the work... to approach the viewer with a dialogue addressing society or humanity as a whole. It is important for us to understand what we have in common and how we connect..."

She goes on to explain the included piece...

"He/She presents a physical, psychological, and philosophical interaction between two figures. This reflection of humanity induces the observer to explore their personal relationships, moments of interaction and how both are perceived."

The Visual Narrative exhibition at Gallery 180 of The Illinois Institute of Art-Chicago continues through July 22nd and it is worth seeing. Gallery 180 is located at 180 N. Wabash in Chicago's Loop. If you are unable to make it to Chicago, you can review the exhibition online at gallery180.com

As a side note, I will be exhibiting with Paula Kloczkowski Luberda and Yelena Klairmont at The Art Center in Highland Park. That show—titled "Ripple ~ cause and effect", opening July 2nd—will include some of Kloczkowski Luberda's rock formation work.

Image: Paula Kloczkowski Luberda, He/She, 2001, cement, 31 x 9 x 3" and 30.5 x 8 x 3"

Ripple – Cause and Effect ...opening July 2nd

2010-06-16T07:45:00.014-05:00

The Art Center—located in downtown Highland Park— is the venue for a three-person exhibition titled "Ripple~cause and effect" which will be opening on July 2nd. The exhibition is a powerfully inspirational collection of painting and sculpture, which presents imagery focused on the meditative surface patterns found within nature. The works of Yelena Klairmont, Paula Kloczkowski Luberda, and myself have been compiled to create this peacefully compelling exhibition.

The oil paintings of Yelena Klairmont are the most literal of the group. Klairmont captures the result of a compromised pool of water—portraying the ripple effect as a beautiful thought-provoking moment in time.

Paula Kloczkowski Luberda creates powerful stoneware rock forms with intriguing surface features. The wonderfully glaze-washed forms are manipulated and organized to create intriguing compositions in space.

Influenced—for almost two decades—by the hundreds of the pre-historic stone circles throughout Great Britain, I use the surface patterns of the Megaliths to create meditative imagery...

Britain is littered with more then four hundred and thirty of these prehistoric sites—most people are familiar with Stonehenge— yet there are areas concentrated with megalithic structures as far to the north as the Scottish Islands, and as far to the south and west as Cornwall. The largest complex of circles is just to the north of Stonehenge, at Avebury. My work is influenced by the meditative qualities of the fluid surface patterns found at some of these monuments. I have taken some artistic liberties, in the replication, manipulation and abstraction of the surface patterns found on these massive stone slabs, yet the work continues to convey the serene qualities regularly associated with nature and inner peace. The pieces included in this exhibition are representative of some of the fluid markings found within the rock surfaces. The process of creating each piece is as centering as the imagery itself.

“Ripple – Cause and Effect” will be presented at The Art Center of Highland Park from July 2 through the 22th. An Opening Reception will be held on July 2 beginning at 6:30pm. The Art Center in Highland Park is located at 1957 Sheridan Road. For additional information, contact The Art Center at 847.432.1888. I hope that you have an opportunity to experience this amazing collection of work.

Images, top to bottom:
Yelena Klairmont, "Ripple #7" oil on canvas, 40 x 30"
Paula Kloczkowski Luberda, "Three Goddesses" ceramic, 40 x 36 x 12”
Charles Gniech, "Meditation II" acrylic on canvas, 48 x 36"

Visual Narrative ~ Opening Reception

2010-06-09T08:51:00.009-05:00

Friday, June 11 from 5:30-7:30
Gallery 180 of The Illinois Institute of Art-Chicago
180 N. Wabash, Chicago, IL 60601

The Opening Reception for the National Juried Exhibition, titled "Visual Narrative", will be held at Gallery 180 of The Illinois Institute of Art-Chicago this Friday from 5:30-7:30. The reception—catered by the Institute's Culinary School—will celebrate the work of the thirteen artists exhibiting from around the country. The artists are: Deborah Bryan of Johnson City, TN; Jenny Chi of Charlestown, IL; Tim Clorius of Portland, ME; Sheila Ganch of Chicago; David Hannon of Muncie, IN; Andrea Harris of Mundelein, IL; Paula Kloczkowski Luberda of Naperville, IL; Nichole McCorrmick Santiago of Williamsburg, VA; Joseph Moniz of Acushnet, MA; Barbara Simcoe of Omaha, NE; Marrydorsey Wanless of Topeka, KS; Joan Wynn of Los Angeles, CA, and Naijun Zhang of Morgantown, WV.

“Visual Narrative” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through July 22nd. This exhibition is free and open to the public. Works are available for purchase. An exhibition catalog for Visual Narrative is available. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm; closed Sunday.

Image: Joseph Moniz, "We Build" Oil on Board, 48 x 44”, 2008, $3,000

Andrea Harris ~ Visual Narrative

2010-06-06T00:09:00.006-05:00

Andrea Harris is one of four local [to Chicago] artists included in the Visual Narrative exhibition at Gallery 180 of The Illinois Institute of Art-Chicago, which opens this Friday. With two canvases in the show—“Amina Lawal and her daughter” and “Women of Pakistan” [both: oil and wax on canvas, 24” square]— Harris focuses on portraiture to tell her story. The imagery is bold and inspirational. Harris explains:

“My paintings are observations of humanity, representing the journey of curiosity and the soul of discovery. Each of us is unique in the universe yet shape, form and color remind us that we are elements in nature. Very often my art is the result of an exploration of culture and current events, urging me to question and allowing me the passage that reveals we are all connected.”

“The painting of Amina Lawal and her daughter is my direct response to the poignant story that was highlighted in the media several years ago. Ms. Lawal had been sentenced to stoning to death in the Kataina State of northern Nigeria. Amnesty International embraced her story and a global effort was initiated in a petition to save her life. This process became the focal point of human rights groups around the world, and ultimately Ms. Lawal was set free. She lives with her daughter, Wasila, and campaigns on behalf of others who have been victims of human rights violations.”

Join us for the Opening Reception of "Visual Narrative", Friday, June 11th from 5:30-7:30pm. As always, the reception is free to the public.

“Visual Narrative” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through July 22nd. This exhibition is free and open to the public. Works are available for purchase. An exhibition catalog for Visual Narrative is available. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm; closed Sunday.

Image: Andrea Harris, “Amina Lawal and Daughter”, Oil and Cold Wax on Canvas, 24 x 24”, 2007, $2,400

Visual Narrative

2010-06-05T23:36:00.009-05:00

The National Juried Exhibition titled "Visual Narrative" opens this Friday at Gallery 180 of The Illinois Institute of Art-Chicago. The focus of the exhibition is fine art that tells a story. The works—varied, as in any group exhibition—have a common thread. All of the pieces seem to focus on the human condition—the experiences of being human in a social, cultural and personal context. The work addresses: who we’ve become, what we’ve created, and how we relate to one another. Some of the pieces are quiet, subtle and introspective while others emerge confrontational. Yet, each piece invites the viewer into a unique world in which the artist shares an observation of the human experience.

One of the artists presented in the exhibition is David Hannon. Hannon—an Assistant Professor of Painting at Ball State University—uses his abilities to bring attention to current global issues. "Summer Drought" [48x70" oil on canvas, shown above] presents the image of a single figure sitting by a fire in a dried out lakebed. The image clearly addresses the global warming crisis. In defining his painting, Hannon explains:

“In the early stages, I became interested in the exposed surface of a lakebed as a setting; an area that would normally be under water and not typically thought of as beautiful. This exposed landscape metaphor became important to the development of the overall significance of this painting. The main narrative is centered on the idea of being exposed to natural forces such as drought and how people deal with environmental change through the spaces they inhabit. The main character has been stripped of every modern convince left only with the ability to create fire, but he is enjoying nature. The unseen people, in the cliff house above, are locked away in the safety of a completely artificial world probably annoyed at the lack of water in the lake. The steep banks of the lake allow the modern cliff house—with metal poles to contrast the exposed wooden dock—to hint at the theme of old versus new. In these times of economic downturn, I wonder if we as a society can once again experience the world in a purely natural way without the use of high definition television.”

The show includes a variety of painting, drawing, sculpture, printmaking, and photography. The Artists included in the show are: Deborah Bryan, Jenny Chi, Tim Clorius, Sheila Ganch, David Hannon, Andrea Harris, Paula Kloczkowski Luberda, Nichole McCormick Santiago, Joseph Moniz, Barbara Simcoe, Marydorsey Wanless, Joan Wynn, and Naijun Zhang, I'll be writing about each of these artists over the course of the exhibition.

“Visual Narrative” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through July 22nd. This exhibition is free and open to the public. Works are available for purchase. An exhibition catalog for Visual Narrative is available. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday-Thursday 8am-8pm; Friday, 8am-5:30pm; Saturday, 9am-5pm; closed Sunday.

Image: David Hannon, "Summer Drought", Oil on Canvas, 48 x 70”, 2009, $4,000

Deanna Krueger~Another Review

2010-05-21T21:42:00.012-05:00

There were two reviews of the Deanna Krueger "Fields" Exhibition, which were published today... One in the Chicago Tribune and the other in Chicago Art Magazine. I wanted to share the latter, which was written by Caitlin Schriner. It reads as follows:

Gallery 180 is situated street view on the corner of Lake and Wabash. Next to the windowed Culinary Arts department of the Illinois Art Institute, the gallery draws crowds of viewers who wander past the whippings and mixings next door.

From outside Deanna Krueger’s collection Fields appear to be large-scale color-scapes on unscratched canvases. The colors are fluid and the spectrum well-covered over the seven piece exhibit. If you can find your way into the gallery (the entrance is located two window fronts down and through the admissions department) you’ll find that Krueger’s pieces are not paintings, but are rather mosaics created from reconstructed diagnostic film monotypes.

Held together with staples, the pieces lift from the wall and bring dimensionality back to the 2-D world of painting. The staples look like rudimentary stitches mending torn landscapes, recreating, as the title suggests, a collection of fields. With titles like Sencha and Elysium Krueger hints toward her inspirations. While the titles and their accompanying stories are interesting, with most of the traffic outside of the windows, they are only fruitful for those who manage to find their way into the gallery, and not fully necessary in order to enjoy the patchwork of color Kruger has filled the corner gallery with.

Overall the pieces are best suited to their location. While the materials are interesting, the true beauty in Kruger’s work is Monet-like, and found in distance. A treat for the Wabash foot-traffic, Fields will be on display at Gallery 180 at 180 N. Wabash through June 3, 2010.

"Lunar", Acrylic monotypes on medical diagnostic film, staples 54x63", 2010
$4,500

Detail at top of post

Robert Lostutter ~ Dutchman #3

2010-05-18T10:31:00.010-05:00

During one of my seminar courses in grad school, I was given an assignment to create a lecture on any topic within contemporary art. The professor thought it was important that we were able to present a lecture at a moments notice. Looking back, I realize that it was a way to get the grad students familiar with what was happening in the Chicago art market. I remember making my way downtown to the River North gallery district in Chicago, where I became acquainted—and latter obsessed—with the work of an artist named Robert Lostutter.

It was the late eighties and more than a decade had passed since Lostutter had completed the Dutchman series… a body of work presenting entangled, masculine bound and hooded acrobatic figures. He had moved on to a more subtle presentation of hidden-passion resulting from societal prejudice. The work of the late eighties presented brightly colored images of men with bird-like features. Even with this new visual language, it was obvious to me that the elaborately detailed feathered faces were symbolic of the masks we use as a means of survival… a persona, which veils reality.

Lostutter’s work inspired me. I used his observations as a jumping off point to create a series of pieces, which I titled “Uniforms”. That series was the basis of my graduate school experience. Briefly, the Uniform series was a symbolic presentation of abstract portraiture. It explored the idea that we are constantly trying to evoke the illusion that our insecurities are non-existent. We create protective barriers—or uniforms—to deflect society from the space within.

Roughly twenty years have passed since grade school. My work has changed dramatically, yet I continue to follow Lostutter’s career. His work still inspires me.

Well, last week, I received a phone call from a friend informing me that one of Robert Lostutter’s Paintings—from the Dutchman series—was going up for auction. It was “Dutchman 3” from 1974. I was intrigued. I have a Lostutter lithograph in my collection but here was an opportunity to actually own one of his larger canvases. Why was it at auction? …And why was the posted value so low? …Did they not know what they had? I took the evening to establish how much I could afford. The next morning, I made a call and placed my blind bid. I hoped that this masterpiece would go unnoticed by the affluent. It didn’t. On Sunday afternoon, I was informed that the painting was sold for more than three times my bid. The piece is worth much, much more.

Image:
Robert Lostutter, Dutchman #3, 1974, oil on canvas, 50.5 x 47.8"

Frances Cox - A Studio Visit

2010-05-11T11:50:00.008-05:00

I receive dozens of packets containing exhibition proposals each year. They sit in a box next to my desk, waiting for a day that I find some time to explore their contents. I've begun opening only a few in a sitting, which allows me to fully focus on the work and to consider the appropriateness of the content for the upcoming exhibition season at Gallery 180.

Well, Frances Cox sent me a proposal—back in March—which highlighted some of her new work. Being familiar with her imagery—I have a piece in my personal collection and have acquired another for the school's collection—I was intrigued to review the current paintings. After a review of the enclosed CD, I sent off an email expressing my interest and scheduled a future studio visit.

Well that meeting happened this morning... and it was refreshing. As I entered Cox’s new studio at the Greenleaf Art Center, I looked around the room and saw that there were some new things happening. Cox seems to be exploring some new color palettes as well as variations on her two-dimensional compositional format. She has begun creating some flat color areas, which offer the viewer a place to rest before moving on to explore the next area of pattern. And on some of her larger canvases, she seems to be playing with space to produce a three-dimensional, environmental quality. The work is evolving and it’s wonderful. Keep an eye out for an upcoming solo exhibition at Gallery 180 in 2011 or 2012.

A Review of the Krueger Exhibition at Gallery 180

2010-05-05T23:19:00.007-05:00

There was a wonderful review of the Deanna Krueger Exhibition, currently on display at Gallery 180 of The Illinois Institute of Art-Chicago. The review was printed in the May 6th edition of NewCity and was written by Critic, Michael Weinstein. From the website:

"In a tour de force of extreme transformation, Deanna Krueger appropriates diagnostic MRI films, rips them into shards, staples them together, and overlays them with monotypes to produce glistening abstractions in red, ice blue, gold, gray, brown and tea green. From a distance, Krueger’s photo-works are assertively attractive by virtue of their jagged textures and glass-like surfaces, but on closer inspection they reveal worlds teeming with detail that never betray any pattern or overall meaning, but involve the eye in the plays of line and form in each sector of the surface. Krueger drapes her works unprepossessingly on the gallery’s walls without frames—anything more would detract from their self-standing integrity. She titles them with references to astral bodies, flora and precious stones, but viewers are better off ignoring that new-age flourish and looking instead for the way that they open the doors of perception to exquisite psychedelic experience."

Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop. The Krueger exhibition runs through June 3rd.

Deanna Krueger ~ Fields

2010-04-18T22:05:00.006-05:00

"Fields", the Deanna Krueger exhibition at Gallery 180 of The Illinois Institute of Art-Chicago will be installed tomorrow. The exhibition presents powerful mixed media forms created from recycled medical diagnostic film layered with monotypes. The film is torn, repositioned, and then stapled together to create various multi-faceted surfaces. The semi-reflective surfaces create a mesmerizing, gem-like quality. Krueger's given titles hint at the conceptual nuances, which imply humanity's collective search for meaning.

Drop by Gallery 180 to experience this exhibition Monday through Friday from 9am to 6pm and Saturday 9am to 5pm. A catered reception will be held on Friday, April 23rd from 5:30-7:30. The reception is open to the general public and all works are available for purchase. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop. The Krueger exhibition runs through June 3rd.

Additional work by Deanna Krueger may be seen at: deannakrueger.com

Poroshina Closes April 15th

2010-04-09T22:07:00.006-05:00

On April 15 the Alina Poroshina exhibition at Gallery 180 of the Illinois Institute of Art-Chicago will conclude. This series of oil paintings symbolically explores the passions, desires, insecurities, aspirations and inspirations of woman. Typically inspired by historic and mythic events, poetic and often painful, the paintings examine the impact and reactions to sudden change, loss or separation. Born in Moscow and currently painting in New York City—Poroshina was a refugee who moved to Lancing Michigan when she was ten years old. She currently lives in Brooklyn where she is working on a new series of paintings motivated by historic and contemporary incidents of genocide.

If you're in Chicago and have the opportunity to visit the exhibition, it will be worth your while. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop. The gallery is opened Monday-Friday, 9am-6pm and Saturday, 9am-5pm. All works are available for purchase. The exhibition is on view until April 15, 2010.

Glistening "Fields" ~ New work by Deanna Krueger

2010-04-03T13:06:00.007-05:00

Save the date... Friday, April 23rd, 5:30-7:30pm

In just a few weeks, "Fields" by Deanna Krueger will open at Gallery 180 of The Illinois Institute of Art-Chicago. Krueger produces powerful mixed media forms created from recycled medical diagnostic film layered with monotypes. The film is torn, repositioned, and then stapled together to create multi-faceted surfaces. These semi-reflective surfaces create a mesmerizing, gem-like appearance.

A loose and contemporary interpretation of the Color Field Paintings of the fifties and sixties, appropriately, Krueger draws upon the word “Fields” as a jumping off point for this particular body of work. The various meanings of the word can evoke actual, theoretical and—of course—technological implications. The latter reference speaks to the collection of data, which reflects back to Krueger’s intriguing choice of discarded medical film as creative material. Krueger offers insight of her creations with each given title—many referring to elements within science and technology with secondary implications to humanity’s search for understanding and purpose. Krueger explains:

"I am interested in humanity's collective search for meaning in the absurdity that is this life.” “…Serving as a marker of this time of transition, the materials speak to the recent evolution of information storage. When virtual documents replace paper, the lowly staple will become an artifact of an earlier information age. Modes of diagnostic imagery are shifting as well: X-Rays and MRI scans are increasingly being recorded solely in the digital realm."

Mocking obsolescence and questioning the purpose of life and death, the glistening imagery offers memorizing surfaces on which to focus, meditate and contemplate. The work of Deanna Krueger will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through June 3rd. This exhibition is free and open to the public. Works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Friday 9-6 and Saturday 9-5.

Image: Deanna Krueger, "Sencha" - Detail, mixed media, 63"x 63", 2010

Matisse: Radical Invention

2010-03-19T00:15:00.007-05:00

The Matisse Exhibition, at The Art Institute of Chicago, will open to the public this Saturday. The exhibition previewed today for members. To be clear, it’s a wonderful exhibition.

The show titled “Matisse: Radical Invention”, covers the work he created during the five years between 1913 and 1917. From the Institute’s web site, the exhibition “…examines what is without question the most innovative, momentous, and yet little-studied time in the artist’s long career. Nearly 120 of his most ambitious and experimental paintings, sculptures, drawings, and prints from the period are on view.”

It continues…

“Rigorously purged of descriptive detail and sharply composed, the works Matisse produced between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. While these works have typically been seen as unrelated responses to the influences of Cubism and World War I, this exhibition illustrates the deep connections between them and their critical role in an ambitious, cohesive project of developing what Matisse called “the methods of modern construction”—a process in which the act of creation itself was the main focus.

Unlike his earlier art, which was characterized by rich color and arabesque line, these new paintings, sculptures, prints, and drawings are often rigorously abstracted, heavily reworked, and dominated by black and gray. Canvases typically show a multitude of paint layers and a nearly sculptural approach to scraping and incising; sculptures display a remarkable emphasis on geometry and structure; prints reflect and reinform the incising and scraping that the artist devised for his paintings; and drawings are frequently composed of a network of erasures and stumping, and elegant, spare line.”

Truly a beautiful exhibition, the work is presented in a series of open and very manageable rooms. Stephanie D’Alessandro, Gary C. and Frances Comer, Curator of Modern Art at the Art Institute of Chicago, and John Elderfield, Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art, New York, curated the show.

Take the time to see this exhibition. It’s quite amazing. The show continues through June 20th.

Roland Kulla ~ "Urban Patterns" acrylic on canvas

2010-03-15T22:59:00.016-05:00

This past weekend, I went to New York to attend the opening reception of a painting exhibition by Chicago Artist, Roland Kulla. A long time friend, I've watched Kulla’s imagery evolve from simple graphic elements to obsessively complex patterned structures. For more then a decade, his passion has been the steel structure of bridges. He has found inspiration in the bridges of Boston, Pittsburgh, Chicago, and New York—creating bodies of work on each subject. This current body of work, titled “Urban Patterns,” is Kulla’s continued exploration of the built environment. The works idealize and celebrate society’s structural accomplishments. Kulla is obsessively passionate of “the monumentality of the forms and the creativity necessary for their existence”.

Roland Kulla’s exhibition will run through April 17th and may be seen at the George Billis Gallery, 555 West 25th Street, New York. If you are unable to see the exhibition in person, you can review the work at: georgebillis.com. Older works can be seen at: rolandkulla.com… Enjoy!

Above: Kulla discusses his work with a patron.

Jon W. Balke... In the Absence of Color

2010-03-03T23:36:00.014-06:00

I work downtown in Chicago’s Loop, just steps away from Millennium Park, The Art Institute of Chicago, and The Chicago Cultural Center. Occasionally before classes—or when I just want to clear my head—I’ll walk over the Cultural Center and explore the latest exhibit. Today was one of those days.

The Cultural Center usually presents a number of wonderful exhibitions. One of the exhibitions—currently on exhibit—is a show of brilliantly rich black & white photographs which can be found in the Renaissance Court Gallery. The show titled “In the Absence of Color”, is the work of the self-taught photographer, Jon W. Balke. Balke creates environmental images with a large format camera and develops the prints in his darkroom using the traditional silver gelatin process. Balke’s black & white prints capture the natural world with amazing lighting and force the viewer to explore the elements of texture, line, surface, and pattern. The above image, "Peeling Paint" is one of the more abstract images in the exhibition. Many of the pieces are direct nature studies.

From the materials that I read while in the gallery, Balke studied darkroom techniques with Ansel Adams & John Sexton, and photographic composition with Willard Clay. If you have an opportunity to visit this show, you will not be disappointed. The imagery is really quite wonderful. The show continues through March 21st. The Chicago Cultural Center is located at 78 E. Washington Street in Chicago. You can also review Balke’s work on line at: balkephotography.com

...Enjoy.

The Poroshina Reception

2010-02-19T23:08:00.014-06:00

Tonight's Alina Poroshina reception at Gallery 180 of The Illinois Institute of Art-Chicago was well attended. Poroshina [not pictured] flew in from New York to attend the event.

Born in Moscow, Poroshina moved—with her family—to Lansing, Michigan as a refugee at the age of ten. As her life continued, she earned BFA in Painting, with a minor in Illustration, from Kendall College of Art and Design of Ferris State University. She continued her education and in 2007 earned an MFA in Studio Art, attending Kendall's graduate program on a merit scholarship.

In describing her paintings, Poroshina explains:

“The hidden symbolism—found in my paintings—creates a multi-lingual narrative that is interpreted in accordance with the unique cultures of the viewers. Seemingly different, all my paintings reflect my internal struggle, my passions, and the painful analysis of the fears and hopes of my generation.”

The Alina Poroshina exhibition continues through April 15th at Gallery 180 of The Illinois Institute of Art-Chicago. The exhibited works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop.

Alina Poroshina ...Reception Friday, February 19th

2010-02-14T23:28:00.009-06:00

It’s been an amazing weekend. As you may know, the College Art Association Annual Conference was taking place here in Chicago. It began on Wednesday evening and continued through Saturday afternoon. The sessions were amazing …and between sessions on Saturday, I took a few hours to hang the Alina Poroshina exhibition in Gallery 180 of The Illinois Institute of Art-Chicago.

The Poroshina show is wonderful and the canvases are substantial—both in size and content. Poroshina has created a body of symbolic imagery, which deals with issues confronting women—and in my opinion—society in general. The beautifully painted surfaces are rich with confident strokes of color, which demand the viewer’s full attention. Benches have been included in the exhibition space to allow onlookers a place to stop to contemplate the imagery. A catered reception for the exhibition will be held this Friday, February 19th from 5:30-7:30. Gallery 180 is located at 180 N. Wabash in Chicago. The reception is free and all but one of the pieces are available for purchase.

A second show will also be taking place Friday evening… The Art of Human Rights to benefit Heartland Alliance will take place at the River East Art Center from 6:30-9. Check out the Heartland Alliance web site for additional information.

Image: Alina Poroshina, "Abduction of New Orleans", Oil on Canvas, 60 x 96, $8,400 - and detail

Ken Konchel... Graphically Beautiful

2010-02-07T21:43:00.009-06:00

When selling art, if the patron is “on the fence” about the purchase, I’ll suggest that they go home. I tell them that if they’re still thinking about the piece the next day—or a week later—then they probably need to make the purchase. I’m one of those people who purchase work because it moves me… not really knowing where it will eventually live.

A few years back, I produced an exhibition for photographer, Ken Konchel at Gallery 350 of The Illinois Institute of Art-Chicago. Konchel’s work was—and continues to be—a beautiful presentation of graphic black and white photographic abstraction created from architecture. From Konchel’s web site:

"My aim is to photograph buildings in arresting ways, creating compositions that do not immediately reveal themselves as architecture. Buildings present rich opportunities for me to imaginatively explore the angle, the cube, the curve, the triangle, and the rectangle. By examining these forms individually or by grouping them into unconventional configurations, I aspire to challenge and captivate people by introducing them to architecture’s intriguing visual possibilities. I strive to take photographs that disclose their content in layers of meaning that more richly reward with repeated viewings."

Well the reason I bring this up is that I purchased one of the pieces from that exhibition… The piece, titled “Beam”, is dated 2003. The image is of the ceiling of Windhover Hall, a ninety-foot high glass-walled reception area at the Milwaukee Art Museum’s Quadracci Pavillion. The photograph has been leaning against the wall on my living room for the past few years. It’s a relatively large piece—framed to 30 x 36”— so I’ve been looking for the perfect placement… I found it. Today, I hung the work in our freshly painted office. The contrast of the steel blue walls and the forms created by the flanking window blinds—which obviously mimic the image—create the perfect environment for Konchel's tranquil composition.

You can find other work by Ken Konchel at: kenkonchelphoto.com. Check it out… his work is quite amazing.

Alina Poroshina - February 19th – Save the Date

2010-02-02T11:57:00.003-06:00

Gallery 180 of The Illinois Institute of Art-Chicago will present a series of oil paintings by Alina Poroshina from February 15 through April 15. These works are just a segment of the artist’s “Fire and Water” series from which she uses symbolic imagery of strong women, who choose to conquer and prevail despite existing adversity.

A resistance to victimization is symbolically communicated to the viewer in the cleverly titled “Coy”. This piece presents a provocatively dressed woman floating in a pond with by a number of large Japanese carp. Based on Japanese symbolism, the carp—or koi—represent perseverance in adversity and strength of purpose. The large golden fish circle the woman as though attempting to keep her afloat. The beautifully painted canvas—54 inches high by 36 inches wide—is but one of the artist’s anthems of feminine perseverance.

Please join us for the Alina Poroshina Exhibition, which will open at Gallery 180 with a reception on February 19th. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The exhibition is free to the general public and all works are available for purchase.

Image: "Coy", oil on canvas, 54 x 36", 2008
$4,500.

The Preview Exhibition continues...

2010-01-31T11:53:00.010-06:00

The Preview Exhibition for “The Art of Human Rights” at Gallery 180 of The Illinois Institute of Art will be closing on February 11th. There are still a variety of wonderful pieces available for purchase with all proceeds benefiting Heartland Alliance.

Shown above [foreground] is a twelve-inch square, mixed media piece titled “They are Burning” by Caroline Anderson. Anderson’s painting is available for $650.

In the background—left to right—

Ted Preuss
“Forget-Me-Not #1”, 16 x 20” silver gelatin print, $650

Nancy Rosen
“No Thanks”, 22 x 30” mixed media, $2,400

Susan Berg
“Westward Bound” 11 x 20" black and white photograph, $250. - No detail available.

Works included in this exhibition range in price from $200-$3,200. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop.

The Art of Human Rights - Preview Reception

2010-01-23T13:35:00.008-06:00

Last night’s reception for “The Art of Human Rights” Preview Exhibition at Gallery 180 was amazing. Prior to the start of the event, President, John Jenkins purchased “Impressions” by Indianapolis Painter, Lorraine Sack. The painting was the second of Sack’s to be acquired for the Permanent Collection of The Illinois Institute of Art-Chicago. With an abundance of interest in her work, I have scheduled a solo exhibition of Sack’s still life paintings for the spring of 2011. Additional work by Lorraine Sack can be seen on her web site: lorrainestudios.com I’m looking forward to working with her again.

The Art of Human Rights Preview Exhibition...

2010-01-15T23:34:00.035-06:00

It always seems to amaze me how quickly time rushes by. Seems like I just installed the Jankowski exhibition and now it’s over.

I spent most of today installing the Preview Exhibition for “The Art of Human Rights”. The Human Rights show is a benefit for Heartland Alliance. As you probably know, Heartland has a variety of medical programs and services helping people with HIV/AIDS. It’s a good organization. I’ve been working with the Junior Board for the past three years to give the community at large an opportunity to view and purchase just some of the pieces donated by Artists from around the country. Only a small fraction of the donated work gets selected for the Preview Exhibition at Gallery 180. This year, the list includes work by:

Caroline Anderson, Nanette Loeff Allen, Susan Berg, Audry Cramblit, Jim Dee, James Deeb, Liesel Fisher, Michael Jankowski, Darren Jones, Annie Onlin Law, Paula Kloczkowski Luberda, Catherrine Maize, Laura Matzen, Jackie Melissas, Rebecca Moy, Nancy Pirri, Ted Preuss, Amy Robinson, Nancy Rosen, Lorraine Sack, Melissa Sauder, and Jacalin Subrinsky.

There are many other wonderful works which couldn’t be included due to space limitations. As I reviewed the donations, I found myself repeatedly wanting to add just one more piece… but it's important to present a cohesive show. I believe that I did just that.

Generally, the Preview Exhibition projects a soothing, meditative theme which flows through the gallery. The image above shows Jacalin Subrinsky’s “Kismet” and Paula Kloczkowski Luberda’s “Walking Man”. “Kismet”—in short, fate or destiny—seems to present a positive journey with flowing soft blue and rich brown lines of mixed media. The peaceful winding strokes of intricate color, maneuvers the viewer around the canvas in an exploration of earth and sky. It is the perfect painting to accompany Kloczkowski Luberda’s “Walking Man”. The figure—created from found wood, and woven wire—seems to be a on a primitive journey of his own. The long-legged body projects confidence in his stride and the flowing lines of his extremities mimic the shapes within Subrinsky's work.

Probably the most controversial piece in the show comes from another Chicago-area Sculptor… Nancy Pirri. Pirri offers “Sometimes I Feel Like a Fallen Angel”, an abstract ceramic sculpture of a female torso presented with three feathers. A dagger-like barb has been thrust into the figure’s back [note the shadow] and holds a small thin ceramic fragment in place—like a piece of paper to a bulletin board. The fallen angel seems to have become a victim. The use of the feathers makes reference to native Indian symbolism of ascension and spiritual evolution to a higher plane. Is it a peaceful transition after a brutal end? In any case, the piece is quite amazing.

If you’re in Chicago, stop by Gallery 180 of The Illinois Institute of Art-Chicago and check out the exhibition. Take your time... there are many wonderful pieces. All of the work is available for purchase and all proceeds with go directly to Heartland Alliance. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s loop.

Jennifer Bisbing... "Lenswork"

2010-01-11T07:26:00.018-06:00

Last week, I received an invitation to an upcoming exhibition at the Chicago Artists’ Coalition’s new, “Coalition Gallery”. The gallery is a new cooperative space, which represents twenty-one member artists who were juried into the gallery for a one-year period. The gallery opened a few months back but I haven’t had an opportunity to visit. Now I have a reason…

Curator, Susan Aurinko is presenting work by Jennifer Bisbing in a three-person exhibition titled “Lenswork”. I have exhibited this talented photographer in the past, so I look forward to experiencing her new work. Her imagery is intriguing because she sees her subjects as elements… line, shape, form… and presents them as wonderful graphic compositions playing with tension and balance. She leads us around the picture plane, exploring crisp edges made crisper by the presence of soft areas. The elements are brought together to imply a surreal environment—but yet—not so far removed from reality.

“Lenswork” combines the talents of photographers Jennifer Bisbing with Julian Gordon and Michael E. Smith. The show opens on January 22 with a reception from 5:30-8:30. The exhibition continues through February 20th. The Coalition Gallery is located at 2010 W. Pierce Street in Chicago just one block south of Damen, Milwaukee and North.

John Fraser at Roy Boyd Gallery

2010-01-08T11:45:00.015-06:00

I attended Graduate School at Northern Illinois University in the late eighties. I was lucky enough to have been awarded a “Talented Student Scholarship” which paid for my advanced study of Fine Art… Painting to be specific. The school's assistantship program was amazing. All I had to do—in return—was to teach two Beginning Drawing courses each semester… that’s where my love of teaching began and that's were I first met John Fraser. We were fortunate enough to be included into a small group of budding Artists which were being groomed for survival in the world of fine art.

I have followed Fraser’s career over the past twenty years—on occasion—attended his receptions and even exhibited one of his pieces at Gallery 180. Well… John Fraser has a show opening this weekend at Chicago’s Roy Boyd Gallery. The work, defined by Paul Klein as “elegant, reserved, and reduced” is amazingly quiet even when presented in a large-scale format. Fraser’s mixed media collages—with influences of Mondrian—contain a variety of objects including segments of books and other found objects. The minimal intricacy of Fraser’s work has the wonderful effect of stimulating deep introspection.

If you’re in Chicago—or plan to be here within the next month—make the effort to drop by the Roy Boyd Gallery at 739 N. Wells. John Fraser’s show will be on display though March 2nd. Additional work by John Fraser can be seen at royboydgallery.com. Take a look... the images are simply beautiful.

Image: John Fraser, "Grey/Pink Relief (With 45 Degree Rule)", Acrylic and Mixed Media Collage on Wood Construction, 27.375" x 27.375" x 1.375", 2008

Andrea Harris at the Brushwood Gallery

2010-01-07T14:06:00.009-06:00

Imagery perfect for Chicago, at this time of year. An exhibition of large-scale encaustic landscape paintings—created by Andrea Harris—will be opening this Sunday, January 10th from 1-3pm at Brushwood Gallery in Deerfield, Illinois. Harris continues her exploration of wooded terrain in the company of intimate organic sculptures by Vivian Visser. Both artists are exploring the concept of shelter and refuge in the natural world.

The Opening Reception is free to the public and the Brushwood Gallery - Ryerson Woods, is located at 21850 Riverwoods Road in Deerfield. The show—and the reception— should be wonderful, but if you're unable to attend, check out more of Harris' work at: andreaharris.com

Image: Andrea Harris, "Winter Moment," Oil & Cold Wax on Canvas, 38" x 38"

Save the Date... Friday, January 22

2010-01-03T10:23:00.021-06:00

The Art of Human Rights ~ Preview Exhibition
Benefiting Heartland Alliance
Reception: Friday, January 22, 5:30-7:30

Gallery 180 of The Illinois Institute of Art-Chicago will host this year's Preview Exhibition for "The Art of Human Rights" to benefit Heartland Alliance. The Exhibition will open at Gallery 180 with a reception on January 22nd. The event is free and exhibited work will be available for purchase. All proceeds from this event will help Heartland Alliance's HIV/AIDS programs and services.

The Preview Exhibition will include just some of the pieces that have been donated by generous Artists from around the country. The entire collection of donated works will be accessible at Heartland's February 19th benefit, which will be held at the River East Art Center. Additional information on that event can be found at: artofhumanrights.com

Please join us from 5:30-7:30 on Friday January 22 for the Preview Exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop. "The Art of Human Rights" Preview Exhibition will continue at Gallery 180 through February 11th.

Above: Nancy Rosen, "No Thanks" mixed media, 2008

Edward Winkleman...

2009-12-26T00:31:00.020-06:00

I spent much of this past Wednesday, trying to get back to Chicago in time for Christmas. We were leaving Southern California while a winter storm covered much of the Midwest. The flight boarded a half hour later then expected but all seemed hopeful. Then—as we taxied to the runway—the engines slowed and the Pilot's voice came over the intercom to tell us that we would be sitting on the tarmac waiting for clearance to take off. As the stories of imprisoned airplane passengers ran though my head, I reached for a book from my carryon bag: Edward Winkleman’s “How to start and run a Commercial Art Gallery”.

I purchased this book online after spending some time on Winkleman’s blog. I was looking forward to acquiring some of Winkleman’s industry insights. I have been running Gallery 180 of The Illinois Institute of Art-Chicago for the past six years, but I have to admit, It’s not the typically startup gallery. Gallery 180 is basically funded by The Illinois Institute of Art-Chicago. The school covers all of the costs of running a space… rent, promotion, receptions… and the proceeds from sales are used to purchase work for the School’s Fine Art Collection. I don’t have to worry about work selling, yet it does. The focus of the gallery is inspiration and education.

The only truly commercial gallery venture that I've entered into was the creation of Gallery H. A few years back, I was asked—by one of my collectors—to help open a high-end gallery in a little town in Michigan. I was perplexed but listened with an open mind. The answer came quickly. The gallery would be located in Three Oaks, which is a-stones-throw away from some extravagant homes on the shores of Lake Michigan and the surrounding farmland. I helped open the space and that experience —in itself—was enlightening. The gallery was very lucrative in the first two years, yet at the beginning of the third season, I stepped away to focus on creating more of my own work.

So, why was I so interested in Winkleman’s book? The answer is threefold. I thought that his words might give me some new insights, which could benefit Gallery 180. Secondly… maybe there was more to learn about the art market… information, which could benefit me as an artist as well as a curator. And finally, perhaps I will—one day—open my own space.

I opened the book to the table of contents and found that it outlines the fine art world from a business perspective. Hardly the summer beach read, but quiet intriguing for people in the industry. The book covers the basics of opening and operating a gallery including the importance of a written business plan, managing cash flow and a wonderful chapter, which covers crating and shipping… information beneficial to all working artists.

As we sat on the tarmac waiting for departure, I had reached the chapter on crating and shipping. I smiled, reminded of a situation I had to deal with a few years back—wishing that I would have had this book to read back then. I sent a seven by four foot painting to a gallery in California and on the return trip, it seemed that a forklift had punctured the sturdy wooden crate [see Winkleman, chapter 9, for suggested specs]. The painting was torn but there is an up side to this story. When the painting was first shown at the Fine Arts Building Gallery in Chicago, one of the patrons was quite taken with the canvas but the scale was much too large for his home. A few days after receiving the damaged painting—and with no better options—I decided to crop and re-stretch the image. Within the week, that interested collector had heard of the mishap and contacted me to inquire if he could purchase the newly revised version. That re-titled version “The Edge” is shown above. The original version, “Edge of Tomorrow” is shown below.

In any event, check out the Winkleman book. It’s filled with wonderful insights for artists as well as potential gallery owners. You can find "How to Start and Run a Commercial Art Gallery" at amazon through this link.

Additional information on these pieces can be found at gniech.com

Lorraine Sack, "Impressions"

2009-12-15T23:53:00.007-06:00

Above is a painting titled "Impressions" by artist Lorraine Sack. This piece is from a series of still life oil paintings that Sack has been working on for the past few years. The image is 16 x 20 inches and produced in oil on canvas. Sack's website explains her process...

The creative process of still life is much like theatre to me. It is taking a blank space and changing it into something specific to be viewed.

The process of setting the stage for the painting is intuitive. I try out the space itself with objects, natural light, and color as characters each playing a part. Usually the object I chose for the focus is one I admire for the presence it holds. I look at the abstract patterns while arranging and rearranging the secondary objects, the light, and the background around the focus until I see the right ensemble.

Then I start the painting process. First, I establish the abstract patterns with a solid foundation of paint on canvas. Next, I slowly layer veils of color with my brush to weave the space into objects and develop their character. Finally, I know the still life is finished when all the parts play their role working together as a unified voice to create the space I intended.

Lorraine Sack's "Impressions" will be available at the upcoming benefit for Heartland Alliance as well as the Preview Exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Gallery 180 will host a catered reception for the Preview Exhibition on January 22 from 5:30-7:30. This event is free to the public and all of the work will be available for purchase with all proceeds going directly to Heartland Alliance. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop. I hope to see you there!

Additional work by Lorraine Sack can be seen on her web site: lorrainestudios.com

Paula Kloczkowski Luberda's "Walking Man"

2009-12-09T23:07:00.022-06:00

As I’ve mentioned in a recent post, Gallery 180 of The Illinois Institute of Art-Chicago will host this year’s “The Art of Human Rights” preview exhibition to benefit Heartland Alliance. The proceeds from this—and the main event—will help Heartland Alliance's HIV/AIDS programs and services, which include: primary care, referrals, assistance with transportation and lab costs, housing, alternative therapies such as chiropractic treatment and massage therapy, HIV prevention education, and oral health care.

The preview exhibition, which will open at Gallery 180 with a reception on January 22nd, is a collection of some of the pieces that have been donated by Artists from around the country to support Heartland Alliance in their effort. One of the contributing area artists is Paula Kloczkowski Luberda. I first met this highly creative concept-driven artist when she was being represented by Kavi Gupta’s Vedanta Gallery in the mid 90’s. Since then, I’ve watched her explore a variety of ideas with a range of media... all seeming to focus on the human condition. Her work has been presented around the country in numerous group and solo exhibitions, and two of her paintings have been acquired for the permanent collection of The Illinois Institute of Art-Chicago.

The above image is a sculptural piece by Paula Kloczkowski Luberda, titled “walking Man” [2005]. The sculpture—reminiscent of Giacometti’s “Man crossing a square on a sunny morning” [1948-9]—has been donated by Kloczkowski Luberda and selected for inclusion in the benefit Preview Exhibition at Gallery 180. The piece is composed of found wood and wire—and if memory serves me—stands about 36” tall. For information on other available works by Paula Kloczkowski Luberda, contact her at plk2531n@wideopenwest.com

To view some of the other pieces which will be available at the main event, check out this Flickr link. Take a look... there are some wonderful pieces.

As a reminder, save the dates for both events: Opening Reception for the Preview Exhibition: Friday January 22nd - Gallery 180 of The Illinois Institute of Art-Chicago 5:30-7:30 ...and The Main Event, The Art of Human Rights: February 19th. More information to come!

Nancy Rosen… “Save me from myself”

2009-12-06T23:06:00.009-06:00

One of the most prolific artists that I know is sending out a humorous plea for help in clearing out her studio. Nancy Rosen’s sometimes tawdry figurative depictions, capture the introspection as well as the intimacy of tender human encounters. Rosen’s painted and drawn figures tend to evoke a strange curiosity … an interest in the concealed thoughts behind each distorted face. The images are intriguing.

Rosen will be holding an open studio event Sunday and Monday, December 13th and 14th, 10-5 and 10-8 respectively. Her studio is located at 7004 California in Chicago. You can see additional work on her web site: nrosen.com or contact her directly at me@nrosen.com. Plan to experience the work in person... it's truly wonderful!

Image: Nancy Rosen #12106, 20x30

"Snapshots" ...Surrounded by art

2009-11-29T15:11:00.021-06:00

Last night, I went downtown to a book release celebration. The book, titled “snapshots”, is the work of my friend, Jan Baiden. The book is comprised of a series of wonderfully written short stories—with beautiful imagery—exploring insights and observations of select encounters of her life. And it’s not the typical life. The book begins with a series of accounts from a period of time, while living in Iran.

I spent a couple of hours—on this rainy morning in Chicago—lost in the first sixty pages of Jan’s book… reading each segment and then gazing at the accompanying photographs. The stories not only transport the reader to another place in time, but they invoke a moment of reflection of one’s own life. It’s a wonderful read… I look forward to exploring the coming pages.

You may ask, “What does this have to do with fine art in Chicago?” The answer is twofold. ...As we walked into the party last evening, I was reminded of the wonderful collection of art, which adorns the walls of the Jan’s home. Her husband, Shelly Kirshner, is a serious collector with major pieces by—among others—Ed Paschke, Robert Lostutter, and William Conger. I found myself so drawn to the collection of modern masters, that it was difficult to focus on causal conversation. The collection is stunning.

And as for the book... If you're interested in acquiring "snapshots"—and meeting Ms Baiden in person—a public book signing party is being planned. It should take place this summer at Gallery 180 of The Illinois Institute of Art-Chicago. The event will be held in conjunction with a national juried exhibition titled “Narrative… the art of story telling”. I will elaborate on both events in future posts.

Images from Kirshner's collection were not available, so as a reference, I'm presenting a Lostutter piece from my own collection.
Image: Robert Lostutter, “Lepanthes Velifera”, 1998. 10-color lithograph. Edition of 50. Image: 6" x 7-1/2". Sheet: 14" x 15-1/2".
See Printworks Gallery for details.

The Start of Something Wonderful...

2009-11-25T07:19:00.015-06:00

This image was captured, last Friday evening, as the reception for the Michael Jankowski exhibition at Gallery 180 got underway. The show, titled "Hidden Relics", is a wonderful exploration of past memories created with subtle high-key paintings and energetic charcoal drawings. If you haven't had an opportunity to view the exhibition, make the effort. "Hidden Relics" continues through January 15th. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash, at the corner of Lake and Wabash, in Chicago's Loop. All of the work in this exhibition is available for purchase.

Jankowski's Sanctuary

2009-11-17T08:17:00.011-06:00

I awoke early on Monday morning to complete the installation of the Michael Jankowski exhibition at Gallery 180. As I finished hanging the last painting on the freshly painted accent wall, it became obvious that the gallery had become a bit of a sanctuary. The art and the architectural elements of the space—stone floors, walls of glass and meditative wall color—calm the inhabitants from the city’s chaos, literally just a few steps away. The quiet imagery of the paintings are contrasted with subtle but energetic line work of the accompanying drawings. The pieces work together to create a wonderful meditative environment. The space becomes a place to loose ones self in a memory triggered by the loosely implied renderings of an attic filled with symbolism.

The exhibition, "Hidden Relics" is now open to the public. A catered reception, in honor of the artist, is scheduled for this Friday from 5:30-7:30. The exhibition is free to the public and all work is available for purchase. Gallery 180 of The Illinois Institute of Art-Chicago is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago's Loop.

Image: Michael Jankowski at Gallery 180, as he previews the exhibition.

Michael Jankowski... "Hidden Relics"

2009-11-15T09:19:00.009-06:00

I spent a few hours yesterday painting some accent walls in Gallery 180, in preparation for the installation of the subtly-dramatic “Hidden Relics” exhibition. The exhibition of fifteen paintings and drawings—created by Chicago Artist, Michael Jankowski—opens this week with a catered reception on Friday November 20th from 5:30-7:30. The imagery focuses on the significant objects in our lives, which evoke memories of the past. For those interested in a preview, the installation of the show should be complete by Monday afternoon. All work is available for purchase. Gallery 180 of The Illinois Institute of Art-Chicago, is located at 180 North Wabash—the corner of Lake and Wabash—in Chicago’s Loop.

The Art of Human Rights - Call for work

2009-11-11T00:09:00.005-06:00

Over the past nine years, Gallery 180 of The Illinois Institute of Art-Chicago has presented a variety of exhibitions, which have highlighted the work of regional, national, and international artists. I consider myself very lucky to have had the opportunity to review, select and present pieces from the wide variety of proposed work.

Following is yet another opportunity to expose your work to the public. This January, at Gallery 180 of The Illinois Institute of Art-Chicago, we will present the Preview Exhibition for “The Art of Human Rights”. The exhibition will be on exhibit from January 19 through February 11, and pieces for this exhibition will be selected from those donated to “The Art of Human Rights” benefit. A catered reception will be held at Gallery 180 on Friday, January 22 from 5:30-7:30. 100% of the proceeds from the sale of the work will go directly to Heartland Alliance.

At the close of the exhibition—if the donated work has not yet sold—it will be placed on auction at the main event held at the River East Art Center on February 19th. A donation of artwork entitles the artist to a complimentary ticket to “The Art of Human Rights” benefit. There will be a great deal of publicity surrounding the Preview Exhibition as well as the benefit. Both venues will bring recognition to the participating artists. I hope that you will consider donating a piece of your work to this very important cause. Information regarding the benefit can be found on the Heartland Alliance web site and you can download the donation forms at gallery180.com on the schedule page of the site.

I hope to have the opportunity to review your work for this and future exhibitions.

Igor and Marina at Thomas Masters Gallery

2009-11-06T19:21:00.016-06:00

I started my position as “Exhibition Curator” roughly nine or ten years ago. That was when I was given the opportunity to manage the gallery for The Illinois Institute of Art-Chicago. The gallery has gone through a variety of changes… relocation and then the addition of a second space. When the second space emerged, Gallery 180 was born.

But, back in the beginning …back when I began my career as a Curator, I was given another wonderful opportunity. The President of the school—at that time—asked me to create a collection for the school. With that, he gave me a relatively small annual budget… but I was inspired. I thought about ways to obtain additional funds for acquisitions. Among other things, I began the school’s annual “Acquisition Exhibition” …a juried show with multiple purchase awards. That brings me to Igor and Marina.

A painting by Igor and Marina was included in the first Acquisition Exhibition. I loved the work and—back then—I knew that the husband and wife team would do very well. The content and quality of the work was beautiful and intriguing. Igor produced the patterns and textures while Marina focused on the figurative elements. The painting seemed to be from the past with a twist of contemporary flare.

Well, I was right about their success. The team is currently represented by a number of gallery’s throughout the world. In Chicago, Igor and Marina are handled by the Thomas Masters Gallery. I dropped by the Thomas Masters gallery today to view the latest pieces created by the husband and wife team. I was once again impressed. The power, beauty and elegance of the imagery left me fascinated. The exhibition includes some of the preparatory pencil drawings, side-by-side with the canvases. Though not as “finished” as the canvases, the drawings have a subtle elegance of their own. It’s a show that shouldn’t be missed …and it closes on the November 15th. If you’re in Chicago, make the effort to see this exhibition. The Thomas Masters Gallery is located at 245 W. North Avenue, in Chicago.

Above: Igor and Marina, Africa, Oil on Canvas 48 x 60"
Below: Igor and Marina, Little Squares...

Just a few more days to see the "red" exhibition

2009-11-05T23:40:00.008-06:00

The National Juried exhibition, titled "red"—currently on display in Gallery 180 of The Illinois Institute of Art-Chicago—will be coming to a close in just a few days. If you have not yet had the opportunity to visit the gallery, make the time to see this relatively small but very beautiful show. Consisting of fourteen artist from around the country, this show delivers something for almost everyone. The selected pieces range from the cleverly symbolic paintings of Lorraine Sack and Richard Laurent to the powerful, geometric, color-saturated photographs of Jennifer Jackson and steel sculpture of Michael Stanley. The show includes two beautifully painted still life studies by, Catherine Maize as well as a breathtaking photorealistic portrait by Ming Zhou. The amazing diversity of work—presented in this exhibition of national fine artists—provides a beautiful and creative look at the use of the color "red".

The show is free to the public and the exhibited work is available for purchase. Gallery 180 of The Illinois Institute of Art is located at 180 North Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The exhibition will conclude on November 11th.

Image: Michael Stanley "Red" steel and paint, 10x7.5x6", $800

Save The Date... Michael Jankowski

2009-11-01T22:14:00.004-06:00

Friday, November 20th 5:30-7:30

Gallery 180 of The Illinois Institute of Art-Chicago will be presenting "Hidden Relics", an exhibition of new work created by Chicago artist, Michael Jankowski. Jankowski’s high key paintings and intense gestural drawings evoke a range of emotion. The subtle and faded forms seem to be relics from the past or faded memories, which attempt to re-emerge from our cluttered realities. Assumed to be documentation of Jankowski’s life, the beautifully produced quiet renditions seem to connect with each viewer’s personal history. Clearly influenced by the drawings and paintings of the Swiss Artist, Albeto Giacometti [1901-1966], Jankowski brings forth a contemporary flavor to the content and gestural line-work of his attic-inspired imagery.

This exhibition opens on November 16 and runs through January 15, 2010. A catered reception will be held on Friday, November 20th from 5:30-7:30pm. Entry is free and the exhibition is open to the public. Works are available for purchase. Gallery 180 of The Illinois Institute of Art is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery hours are Monday through Friday 9-6 and Saturday 9-5.

Image: Michael Jankowski, "Mother Can You Hear Me", Charcoal, 24 x 17" $950.

The "red" Reception...

2009-10-09T21:08:00.014-05:00

There was a wonderful turnout at tonight’s reception for “red” the National Juried Exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Three pieces were acquired for the school’s Fine Art Collection. They were: Richard Benoit’s "Earth Writing", Claudia Craemer’s "The Path was Chosen for You" and Lorraine Sack’s "Sea Captain". The show continues through November 11th. If you have the opportunity, drop by the gallery to see this wonderful collection of work from around the country. The show is free to the public and the presented pieces are available for purchase. Gallery 180 of The Illinois Institute of Art is located at 180 North Wabash—at the corner of Lake and Wabash—in Chicago’s Loop.

Richard Benoit "Earth Writing" acrylic on wood, 24x24"

Claudia Craemer "The Path was Chosen for You" oil, 40x40"

Image: Lorraine Sack, “Sea Captain” oil on linen, 18x24”

Thursday, October 8th... Art in Chicago

2009-10-07T23:43:00.014-05:00

There are two amazing art events happening—this Thursday—in Chicago. First, the reception for the Maggie Meiners "Childhood Contemplations" exhibition takes place at The University of Illinois at Chicago, Student Art Lounge, from 4-7 PM. The gallery is located at 828 S. Wolcott in Chicago. The show continues through October 30th.

Then... from the Chicago Art Institute Web Calendar, In conjunction with the loan of Caravaggio's "The Supper at Emmaus" from the National Gallery, London, Keith Christiansen will lecture on the path-breaking genius of this Italian Baroque master. Christiansen is a leading specialist in Italian painting from the Renaissance through the 18th century, and has worked on all aspects of Caravaggio's art. In this lecture he will look closely at the artist's pictorial style, which at the time was considered radically modern and remains compelling today, nearly four centuries later. The Lecture will take place in Fullerton Hall of the Art Institute of Chicago, from 6-7pm. The address is 111 S. Michigan Avenue.

Image: Michelangelo Merisi da Caravaggio.The Supper at Emmaus, 1601. The National Gallery of London, Presented by the Honorable George Vernon, 1839, NG172.

Ardrea Harris at Homey Gallery

2009-10-02T21:29:00.008-05:00

An exhibition of wonderful new nature paintings by Andrea Harris will open tomorrow at Homey Gallery, located at 3656 N. Lincoln Avenue in Chicago. I dropped by the gallery last week to get a preview of Harris' new work but most of the pieces had not yet been delivered. There was—however—a few of her new works to review. I was impressed. Harris' technique has matured and the presentation of the mystical environments elevates the imagery to a new level of wonderful. The exhibition—featuring oil and cold wax paintings—will continue through October 26th. Tomorrow's reception will include a book signing of "In the Forest and Beyond" which features Harris' imagery. Harris will be funding the planting of a tree with the purchase of each book... and a grove of trees for each painting sold. The reception for Harris will be from 6-9pm—tomorrow—Saturday, October 3rd. If you have the opportunity to see this exhibition, it will be worth your while.

Image: Andrea Harris, "Surreal Forest", oil and cold wax on canvas, 60x60"

Richard Benoit... Earth Writing

2009-09-25T07:41:00.004-05:00

Richard Benoit is just one of fourteen Artists included in the "red" exhibition currently presented at Gallery 180 of The Illinois Institute of Art-Chicago. While reviewing Benoit's web site—www.rbenoit.com— I found a wonderful Artist Statement which is both passionate and insightful. From his web site:

Paintings are like poetry. If their meaning isn't completely spelled out or absolutely clear, that meaning will rustle about like dried leaves and eventually come to settle. At that moment when the meaning comes to light one gets a sensation of peace and recognition, a glimpse of the universal. The best paintings are not tied to any particular time or place but are flexible vibrant things that bring a fresh feeling each time they are viewed.

I like to treat the canvas not as a place to describe something but more as a place for something to happen. I often arrange random visual elements in such a way as to excite the viewer's curiosity and intuitive sense of aesthetics. Put simply, my art is a random collection of chance and intent with the under- lying belief that art can be a transcendent experience. While working I like to leave evidence of the art making process (dribbles, brush strokes etc.) to celebrate the act of communication. Beauty is important but not at the expense of emotion, and passion is always more important than technique.

For me art is a quiet place of introspection and repose. I like to create work that people would want to return to time and again, work that elicits an emotional response, work where there's truth not just taste and real beauty, not just ornamentation. Memorable art is a refuge, a place to smooth the waters. Through my work I wish the viewer a life full of quiet moments, full of answers, full of peace, and full of beautiful engaging art.

Benoit's “Earth Writing”, can be seen—along with the works of thirteen other artists from around the country—at Gallery 180 of The Illinois Institute of Art-Chicago from September 14 through November 11. The Reception for "red" will take place on Friday, October 9th from 5:30-7:30. Gallery 180 is located at the corner of Lake and Wabash in Chicago's Loop. The exhibition is free to the public and all works will be available for purchase.

Above: Richard Benoit, "Earth Writing" acrylic on wood, 24x24", $850.

Lite Brite... Maggie Meiners

2009-09-23T09:46:00.006-05:00

"Childhood Contemplations"—a solo exhibition of large-scale photographs by Maggie Meiners—will be presented at The University of Illinois at Chicago, Student Art Lounge, from September 28-October 30. An opening reception is scheduled for Thursday, October 8 from 4-7 PM. The gallery is located at 828 S. Wolcott in Chicago.

I first presented pieces from this collection—last fall—at Gallery 180 of The Illinois Institute of Art-Chicago. The works are amazing. The mere size of these forty-inch square digital c-prints, allows the viewer to become engulfed by the imagery and to explore their inner mind. The various color patterns are meant to trigger memories on which to contemplate. Michael Weinstein of "Newcity" had a wonderful observation in his September 18th review of the show when he wrote that Meiners' creates "...pure psychedelic abstractions in which the blurred and glowing colors bleed into each other and dance before the eyes." In defining her own work, Meiners explains...“Although the use of blurred imagery seems to defy logic, this intentional shift in focus is meant to transfix and then transport the viewer to a mind space where memories run wild. Various spectrums of color are used as a guide to revisit and explore memories of the past."

Take some time to see this exhibition... and if you have the opportunity to attend the reception on October 8th, introduce yourself to Meiners... she's an amazing lady.

You can find additional work by Meiners at: maggiemeiners.com

A Creative Social Club...

2009-09-20T08:27:00.004-05:00

I took some time—yesterday—to drive downtown and meet with The Chicago Creative Social Club at Gallery 180. The creative networking organization is defined on its web site, as “THE Meet up Group for creative people in Chicago.” The group …“supports the Chicago creative community by promoting social connections, enjoyment, and learning across all creative disciplines…” So when the Director of the organization contacted me to ask if I would address the group, I agreed.

I was asked to cover a variety of art-related topics including: the current exhibition being presented at Gallery 180, titled “red”, information about The Illinois Institute of Art-Chicago, exhibition opportunities, the Chicago Gallery scene, and information on my duties as a Curator. I probably spoke a little too long but the amazing snacks—provided by the Ai Culinary School—kept the group conscious. After the very informal presentation, I spent time talking with some of the individual members. I met some wonderful people and ate a few too many of the monster chocolate, chocolate-chip cookies.

In any case, if you’re near Chicago and are looking for a creative group, with which to mingle, check out the Chicago Creative Social Club at: creativesocialclub.com