Showing posts with label Rebecca Moy. Show all posts
Showing posts with label Rebecca Moy. Show all posts

Thursday, May 24, 2018

PERCEPTIONS - Hofheimer Gallery

Julia Katz "Cache"

If you haven’t had an opportunity to experience the PERCEPTIONS exhibition at the Hofheimer Gallery, there are still a few days left. “Perceptions” will close on Tuesday, May 29th. The show presents the work of four Chicago area Artists—Julia Katz, Deanna Krueger, Rebecca Moy and myself. Each artist offers his or her own point-of-view of visual abstraction created through a unique physical or creative process.

Julia Katz [work shown above] is known for her bold use of rich color and fluid paint strokes. Through focused observations of the environment, Katz creates loosely-facetted forms of hues alluding to nature. She produces her imagery—documenting the details of light, shadow and subtle movement.


Deanna Krueger "Lichen at Brush Creek"

Deanna Krueger's work conveys some of the same visual elements of Katz but Krueger's work is much more about unique materials. Krueger manipulates medical diagnostic film to create large-format wall pieces that exist somewhere between a two-dimensional painting and three-dimensional sculpture. She applies loose layers of paint over the film and then shreds the visual evidence of the medical findings. The film is painted, torn, repositioned, and then stapled together to create beautifully semi-reflective multi-faceted surface. The surface creates a shimmering, gem-like appearance reminiscent of the flickering mosaics. The same visual complexity is also apparent in the work of Rebecca Moy.

Rebecca Moy "Carnivale II"

The fine line between graphic and fine art is explored in the lyrical work of Rebecca Moy. Her bold use of color is heightened by a flat linier element that flows through and around seemingly architectural structures. The interaction of bold flat shape with mystical color gradients, offers the viewer a unique environment to explore. 

Over the years, Rebecca and I have discussed a possible collaboration—merging our styles to produce a hybrid. It came up again at the Hofheimer opening reception. We'll see what happens. 

PERCEPTIONS will conclude on Tuesday, May 29th. The Hofheimer Gallery is located at 4823 N. Damen, Chicago, IL. 60625—on the north side of Chicago in the Ravenswood area at Damen and Lawrence. The gallery is dedicated to introducing contemporary fine art in painting, drawing and sculpture from established and emerging artists. Through the year the gallery will feature provocative, engaging, solo and group exhibitions.

HOFHEIMER GALLERY | 4823 N. Damen | Chicago, IL. 60625 | 847.274.7550


Sunday, April 29, 2018

Charles Gniech - Hofheimer Gallery


Charles Gniech, Untitled, 2018, acrylic on canvas, 40 x 50"

PERCEPTIONS
Charles Gniech | Julia Katz | Deanna Krueger | Rebecca Moy 

OPENING RECEPTION: FRIDAY, MAY 4,  5-8PM

Yesterday, I dropped off a series of recent paintings at the Hofheimer Gallery. The paintings will be presented in the upcoming exhibition titled, "Perceptions". This group exhibition includes some of my most recent work—including an “Untitled” painting [shown above] utilizing a combination of my established multi-layered surface technique with a new element of smooth transitional color. The contrasts—tactile and hue—add a more dramatic spatial component to the imagery. This painting seems to be a evolutionary moment in the work that I've been producing over the past decade.

I’m excited to be included in this exhibition. Although I’ve exhibited with Deanna Krueger and Rebecca Moy on numerous occasions, this will be my introduction to the work of Julia Katz. I have no doubt that “Perceptions” will be a beautiful array of surface, pattern and color with content that deserves both joyous and introspective engagement.

Please join me at the Opening Reception of “Perceptions” this Friday from 5-8pm at the Hofheimer Gallery. Hofheimer Gallery is located at 4823 N. Damen, Chicago, IL. 60625—on the north side of Chicago in the Ravenswood area at Damen and Lawrence. The gallery is dedicated to introducing contemporary fine art in painting, drawing and sculpture from established and emerging artists. Through the year the gallery will feature provocative, engaging, solo and group exhibitions.


OPENING RECEPTION: Friday, May 4th  5-8pm
The exhibition continues through May 29

HOFHEIMER GALLERY  |  4823 N. Damen  |  Chicago, IL. 60625  |  847.274.7550


Tuesday, April 14, 2015

Meditative Surfaces ~ The Art Center-Highland Park

Doug Fogelson, “Dirt (Illinois)”, Photogram / Ed. of 6, 24" x 20"

Save the Date: Friday, May 22, 6:30-9pm

The always evolving fine art exhibition "Meditative Surfaces" will be presented at The Art Center-Highland Park from May 7 through July 10 with an open reception on Friday, May 22 from 6:30-9pm. This exhibition brings together the work of six-very different-fine artists with a visually reoccurring theme of variations on repetition. The show is comprised of two painters; Charles Gniech & Rebecca Moy, a mixed media artist; Deanna Krueger, two photographers; Maggie Meiners & Doug Fogelson, and sculptor; Josh Garber.
 
Originally presented as a three-person exhibition exhibited at Schoenherr Art Gallery, North Central College; Naperville, Illinois in 2009, the work invited the audience to "lose themselves" in the surface patterns and textures the meditative acrylic paintings of Charles Gniech, the mixed media imagery of Deanna Krueger and the abstract photography of Maggie Meiners. The updated show has further evolved to present the most current works of the original three and to explore new objects of interest including the tactile aluminum sculpture of Josh Garber, photograms in saturated hues by Doug Fogelson, and the whimsical and organically complex paintings by Rebecca Moy.
 
It's true that a picture is worth a thousand words... The exhibition is a journey that offers a glimpse into each individual artist's life through the experience of his or her personal passion.  While each piece of art offers a unique visual experience, the work comes together to offer a grander message—one of sanctuary, inner piece and harmony. As with a dramatic sunrise, Not at all quite and reserved, the show presents visuals evoking every emotion. Color palettes range from peacefully subtle muted tones to brilliant saturated hues. And as in nature, the forms range from organic to aggressive.

A public reception for “Meditative Surfaces” will be held at The Art Center-Highland Park on Friday, May 22 from 6:30-9. The Art Center-Highland Park is located at 1957 Sheridan Road in Highland Park, Illinois. Gallery Hours are Monday through Saturday from 9am–4:30pm and Sunday, by appointment. All work in the exhibition is available for purchase. The exhibition continues through July 10.

The Art Center-Highland Park is dedicated to promoting the appreciation of contemporary fine art through exhibitions by both established and emerging artists. We foster creativity through the experience and discussion of fine art and offer extensive educational opportunities through a broad range of classes, panel discussions, workshops and lectures. A nonprofit organization, The Art Center-Highland Park connects artists with the community at large—supporting creativity at every level. 
Doug Fogelson (Born Chicago 1970) studied photography at The School of the Art Institute of Chicago and Columbia College Chicago. His photographic manipulations are displayed in notable public and private collections such as The J. Paul Getty Center, The Museum of Contemporary Photography, The Cleveland Clinic and exhibited with esteemed galleries. He has been recognized by publications including Art News,Photo District News, Art Forum, and AfterImage. Doug Fogelson founded Front Forty Press, an award-winning independent fine art publishing company, and has taught in the Photography Department of The School of the Art Institute of Chicago. He is an advocate for the fine arts and social/ecological sustainability.

Josh Garber, “Turn”, Powder Coated Welded Aluminum, 39 x 36 x 34"

Josh Garber (Born 1963) works and lives and Chicago. He is a recipient of the Canada Council B Grant and Pollock-Krasner grant and has completed public commissions in Phoenix, Chicago and Cincinnati. After receiving his BFA from Alfred University, Garber participated in The Kohler and Sculpture Space residencies. Currently he is represented with Zolla/Lieberman Gallery in Chicago, Turner Carroll Gallery in Santa Fe and Melissa Morgan in Palm Desert, CA. 

Charles Gniech, “Anomaly”, Acrylic on Canvas, 40” x 60”

Charles Gniech (Born: Chicago 1962) lives and works in Chicago. He holds a Master of Fine Art degree with an emphasis in painting and a Bachelor of Fine Arts degree with an emphasis in illustration, both from Northern Illinois University. While teaching, curating, and consulting, Gniech continues to paint—exhibiting at the national level. His work has been repeatedly presented at both The Rockford Art Museum and The Fort Wayne Museum of Art. Gniech’s paintings have been acquired for numerous public and private collections, with a large canvas recently purchased for the Permanent Collection of The Fort Wayne Museum of Art. His work is represented by Bluestone Gallery in Philadelphia and Gallery H in Three Oaks, Michigan. 

Deanna Krueger, “Neptune” Mixed Media, 63” x 63”

Born and raised in Michigan (1965) and currently living in Chicago, Deanna Krueger is an Instructor at Northeastern Illinois University in Chicago, teaching courses in painting and design. Krueger holds a Master of Fine Art degree from Eastern Michigan University and a Bachelor of Fine Arts degree, Summa Cum Laude, from the University of Michigan. She has been awarded artist residencies at Brush Creek Foundation for the Arts in Saratoga, WY, at Ragdale in Lake Forest, IL, and at Contemporary Artist Center In North Adams, MA. Krueger’s work has been exhibited nationally as well as internationally with exhibits in Berlin and Rome. A solo exhibition of Krueger’s work was presented at Gallery 180 of The Illinois Institute of Art-Chicago in 2010, and at Wright Gallery at College of Lake County in 2015. Krueger’s work has been acquired for a number of public and private collections including a recent acquisition for the Permanent Collection of the Fort Wayne Museum of Art.

Maggie Meiners, “Untitled #3”, Photographic Print, 10” x 10”

Maggie Meiners (Born: Chicago 1972) work has most recently been seen as part of the Chicago Project-Catherine Edelman Gallery, the Anne Loucks Gallery in Glencoe and is currently up at HBF Textiles in the Merchandise Mart in Chicago. She has also exhibited at various museums and colleges around the country. Maggie’s work is included in numerous public and private collections including, Harrison Street Lofts, Wheaton College, and The Illinois Institute of Art. Meiners currently serves on the Board of the Filter Photo Festival, is a member of the Advisory Committee at the Museum of Contemporary Photography and is the Founder of Co-Star Collective. Meiners grew up outside of Chicago and continues to have her work regularly featured at galleries, executive offices and private collections.


Rebecca Moy, “Aquatic”, Acrylic on Canvas, 44” x 48” 

Rebecca Moy (Born: 1980, LaGrange, Illinois), is a 2003 graduate of Columbia College Chicago where she studied visual arts management. Since, Rebecca has completed a visual arts residency at River East Art Center, Chicago; worked with the Field Museum for live painting exhibitions and has had the honor of exhibiting solo at the prestigious Union League Club, Chicago, Illinois Institute of Art, Park Schreck Gallery, Curly Tale Fine Art, Heir Gallery and Orland Park Public Library, IL and several other group exhibitions. Rebecca’s paintings are in the permanent collections of Neiman Marcus, The Dana Hotel, Resonant Legal Media, Northwestern Mutual, MD2 International, and several privately owned. Rebecca simultaneously works on private commissions and is in the beginning of a new series entitled “Aphasia” which directly addresses the experience of losing a parent in her unique sense of color and composition.

Sunday, November 21, 2010

The Rebecca Moy Reception at Gallery 180


The Rebecca Moy Exhibition opened this past Friday, at Gallery 180, with a wonderful reception catered by the Culinary school of The Illinois Institute of Art-Chicago. The Moy exhibition consists of eight large-scale canvases, elegantly manipulating the spacial relationships of line, form and color. If you're in Chicago's Loop, this is a "must see" exhibition. The show continues through January 17th.

Gallery 180 is free and open to the public. All works will be available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Wednesday, October 27, 2010

Rebecca Moy: Visceral Reaction


"Against The Grain", Acrylic on Canvas, 44" x 60"

Gallery 180 of The Illinois Institute of Art-Chicago will be presenting the paintings of Rebecca Moy from November 15 through January 17th with an opening reception on Friday, November 19th from 5:30-7:30... so save the date!

Manipulating the spatial relationship of shape and color, Moy creates an intriguing world with hard-edged abstraction. The works explore the reactions that she—and the viewer—has to variations of color and form relationships. Moy explains:
“I’ve always been fascinated with the reaction of the body and mind to the visceral relationship between color and shapes. …This series of paintings becomes the physical embodiment of this investigation, as it takes place within me. I’m intrigued by the thoughts and feelings evoked by precise orchestrations of color and shape. Layer by layer, these forms create a place to remember, or perhaps a place to forget… to wonder and wander through the times and places we’ve all journeyed; perhaps these are the moments and memories which define us.”

Moy works in an abundant sanctuary—her studio—were massive canvases surround a central workspace. Here, she obsessively applies layer after layer of acrylic, inventing—and reinventing—new meditative imagery, which addresses psychological reaction to line, shape and color. Some of the compositions are presented in quiet color palettes while others seem charged with electric vibrancy... each conveying an individual mood or personality. The paintings seem to explore the color theories of Stanton MacDonald-Wright [1890-1973], which defined specific psychological interpretations of color. Moy takes these color theories a step further by incorporating shape and line into her imagery. These images provide an intriguing sensory experience.

The work of Rebecca Moy will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through January 17. An Opening Reception will take place on Friday, November 19, 5:30-7:30 pm. Gallery 180 is free and open to the public. All works will be available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm; Friday, 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com.

Also, take a moment to drop by Gallery 180 to visit the amazing paintings of Frances Cox through November 11th.

Friday, August 13, 2010

Rebecca Moy: Coming this Fall


I believe that I became acquainted with the work of Rebecca Moy during the preparation of the 2009 Art Against AIDS event. Intrigued by the work during the jury process, I selected Moy’s painting to be included in the Preview Exhibition, which was presented at Gallery 180 of The Illinois Institute of Art-Chicago. While the show was installed, I explored the piece and considered it for my personal collection. Like many collectors, I knew I wanted the piece but I was trying to decide where to place the work within our home. I put off the purchase.

The piece didn’t sell during the Preview Exhibition and it was scheduled to be on live auction at the main event. Both my partner and I decided that the Moy painting would be a refreshing addition to our growing collection. We agreed on the price we would pay and continued on with the evening. Friends and collogues filled the room. Distractions were everywhere and before we realized, the auction of the Moy painting had concluded. We had missed our opportunity.

After the auction, I approached the impeccably dressed Artist to express my interest in her work. I wanted to see more. I did. The work was consistent, intriguing and professional. I scheduled a solo exhibition for the 2010 exhibition season and asked that she stay in contact with me as the show began to solidify.

Well... I met with Rebecca—this past week—in her studio. I was invited into the abundant sanctuary were massive canvases surround a central workspace. Here was where—I imagine—the painter would obsessively apply layer after layer of acrylic, inventing—and reinventing—new meditative imagery. Some of the compositions were presented in quiet palettes while others seem charged with electric vibrancy... each conveying an individual mood or personality. They're amazing.

Above is a detail of one of the paintings in progress. The Rebecca Moy exhibition will be presented at Gallery 180 of The Illinois Institute of Art-Chicago in November. It’s a show that shouldn’t be missed. I’ll keep you posted.

Sunday, February 22, 2009

Art Against AIDS... Rebecca Moy


The first time I had the opportunity to experience a painting by Rebecca Moy, was while selecting work for the Art Against AIDS Preview Exhibition at Gallery 180. Moy's obsessively complex and pristine composition is quite beautiful. The irregular patterns seem to be inspired by Gustav Klimpt, while missing or avoiding an obvious narrative. A rather young artist, her portfolio seems rather comprehensive. I look forward to watching her career. Moy's piece titled "Spring" [shown above] will be available at the Art Against AIDS benefit on Thursday, February 26th at The River East Art Center. Additional work by Rebecca Moy can be seen on her web sit at rebeccamoy.com