2nd Annual Bridgeport Art Competition

Charles Gniech, "Grounded" 2012, acrylic on canvas, 60" x 40"

Save the Date: Saturday, March 8th 7-10pm

Please join me on the evening of March 8th for the opening reception and award ceremony of the 2nd Annual Bridgeport Art Competition. My painting, "Grounded" 2012, was selected for inclusion. The exhibition—housed in the forth floor gallery—will present the works of seventy-four area artists.

“This large exhibit presents a diverse and fascinating overview of contemporary art in Chicago.” said Lelde Kalmite, Curator at the Bridgeport Art Center.

The Bridgeport Art Center is located at 1200 West 35th Street, Chicago, Illinois 60609. The exhibition continues through April 18, 2014. Additional information can be found at: bridgeportart.com
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To Summon Spring @ ZIA Gallery

Had enough of Chicago's winter weather? 

Opening this Saturday, at ZIA Gallery in Winnetka, is an exhibition of color-saturated, vibrant works of art, by eleven of the gallery artists. The exhibition includes painting, photography, mixed media and sculptural works. The show titled "To Summon Spring" was conceived by Anne Hughes and includes work by: Ted Preuss, Mary Burk, Melissa Jay Craig, Michael Cutlip, Kathy Weaver, Karina Hean, Fumiko Toda, Jonathan Ricca, John Vlahakis, Anne Hughes and myself. If your life is lacking a bit of color, this is the perfect solution.

The Opening Reception of "To Summon Spring" is Saturday, February 22 from 5-7pm.  ZIA Gallery is located at 548 Chestnut in Winnetka, Illinois... 17 miles north of Chicago. The gallery is open Monday through Saturday from 10:00am–5:00pm. Stop by and check it out.

Above Image:
Top Row: Ted Preuss, Mary Burke, Melissa Jay Craig and Michael Cutlip
Middle Row: Kathy Weaver, Karina Hean, Charles Gniech, and Fumiko Toda
Bottom Row: Jonathan Ricci, John Vlahakis, and Anne Hughes
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Corinna Button ~ A Studio Visit

Corinna Button, "Watching you watching me watching" Acrylic, ink & charcoal on canvas 109 x 72in

The “…Breaking Criminal Traditions” exhibition—currently on display at IIT Chicago-Kent College of Law—has gained a great deal of attention. Audiences seem to be drawn to the visual content and touched by the issues that the paintings, drawings, prints and sculptures represent. Since the opening of the show, two other Chicagoland venues have expressed interest in acquiring the exhibition—the Beverly Art Center and The Art Center of Highland Park. As the Exhibition Curator, I decided early on, to select a unique mixture of fine art pieces for each new venue. That said… I continue to explore new work.

Yesterday morning, I met with fine artist, Corinna Button at her studio at the Zhou B Art Centre in Bridgeport. Button—an exceptionally prolific artist—explores the human condition. Her figurative imagery is presented through layers and layers of surface—paint, ink, graphite, and collage—symbolic of the layers of life experience that we collect over time. Occasionally, portions of the layers may be erased or even ripped from the surface …perhaps to remove a bit of the collected armor.

Exploring the studio walls, it was obvious that Button communicates with honesty and passion. Each object demands the viewer’s attention. Each tells its own story. As we discussed the work, I pointed out that interpretation is the result of the viewer’s history and experience—at times, void of the artist’s intention. With this, it was obvious that many of Button’s works were appropriate for inclusion in upcoming presentations of “…Breaking Criminal Traditions”.

The exceptionally large “portraits” found in Button’s studio, are just a sample of the imagery she is currently producing. One of these appears to be the interpretation of a child bride—adorned with the ornate fashion of a foreign land. The pensive stare conveys a loss of hope… the questioning of the future. Other pieces reference Human Trafficking, Circling and issues related to Honor Killing. To be clear… this was not the artist’s intent. These references are strictly an interpretation. Incidentally, I gravitate to many of Button’s pieces for their ornate beauty and haunting honesty.

Select pieces of Corinna Button’s work will be included in upcoming presentations of “The Art of Influence… Breaking Criminal Traditions. Watch for it at the Beverly Art Center [April 18-May18, 2014] and The Art Center – Highland Park [November 7 – January 3]. Information for receptions will be included in future posts. Additional information about the exhibition can be found at BreakingCriminalTradition.com

After completing her Fine Art degree at Leeds, Corinna Button went on to study Printmaking in London, gaining much attention for her works. Now with her pieces in many high profile collections including the BBC and Ashmolean Museum in Oxford, Button has exhibited at the Zhou B Art Centre in Chicago and is a respected member of the Royal Society of Painters and Printmakers.
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Gustavo Lacerda ~ Albino

Gustavo Lacerda, Thyfany II, 2009

There is an amazing photographic exhibition currently on view at the Catherine Edelman Gallery in River North. “Albino” is a series of classic photographic portraits by Brazilian artist, Gustavo Lacerda. The work captures the segment of the population born melanin defect, resulting in the loss of pigment in the skin, hair and eyes.

Lacerdo presents his subjects in front of soft muted backgrounds, which emphasize the subtle pigments of the figures. He explores the beauty of innocent children [being children] to the not so typical, single and group portraits. The Victorian inspired “Thyfany II” [2009] and the playful “Livia” [2009] are standouts.

Gustavo Lacerda, Livia, 2009

The exhibition continues through January 4th. The Catherine Edelman Gallery is located at 300 W. Superior Street in Chicago. Gallery hours are Tuesday through Saturday from 10-5:30. Additional information can be found on the Catherine Edelman Gallery web site at: edelmangallery.com

Gustavo Lacerda works and lives Sao Paulo. His series, Albinos, has received critical praise and was recently featured on Huffington Post and Wonderland Magazine and is included in the Musée du Quai Branly Collection (Paris, France) and the Sao Paulo Museum of Art (Sao Paulo, Brazil). A monograph on Albinos is in production, and will be released at the end of 2013 by Editora Estudio Madalena.

Toshiko Takaezu ~ Perimeter Gallery

Toshiko Takaezu, “Form C”, 2001, ceramic, 32 x 20 x 19 inches

Yesterday afternoon, I spent some time wandering around Chicago’s River North gallery district. It's been a month or two since I had an opportunity to visit the neighborhood so I’ve been anticipating this time to explore. The trip was well worth it… I saw some wonderful work.

Perimeter Gallery, located at 210 W. Superior Street, is presenting a beautifully-peaceful exhibition of ceramic vessels by Toshiko Takaezu (1922-2011). The gallery becomes a garden of vessels mimicking a walk through a forest or nature preserve. The vertical vessels emerge from the floor as though growing from the hardwood. Smaller pieces—resting on platform ledges—offer a vision of vines cascading from a garden wall. The clean form of the vessels mimic the crisp environment of the gallery while the beautifully adorned surfaces add a natural element of intrigue with brushstrokes and drips of neutral tones… peaceful and meditative. 

Also, don’t forget to visit Perimeter's lower level gallery. There is a wonderful—very meditative— installation piece by Keiko Hara that should be experienced.

The Toshiko Takaezu exhibition continues through December 31st. Perimeter Gallery is open Tuesday through Saturday from 10:30 to 5:30. Additional information can be found at: perimetergallery.com
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Frances A. Cox ~ Still Life Portraits

Frances A. Cox, Conversation, oil on canvas, 24" x 28"

Save the Date: Friday, December 13th 5-7pm

Last week, I received an email from Frances Cox inviting me to her Rogers Park studio. The invitation was an offer to preview a series of paintings that she created for an upcoming exhibition. I accepted.

The solo exhibition—titled “Still Life Portraits”—will be presented at the Renaissance Court Gallery of the Chicago Cultural Center from December 13th through January 26th, 2014. The Opening Reception is scheduled for Friday, December 13th from 5-7pm. You should plan to attend. This is a “must see” exhibition.

Cox—a prolific painter—utilizes plant forms as metaphor for human emotions. She openly points out…

“When I look at plant forms, I view them as botanical singularities having the characteristics of other living things.”

Her ornate images guide the viewer on a journey through the picture plane—exploring gestural botanical forms and structures alluding to humanity. The images are sometimes a singular “figure” while others define relationships.

The most current images are brilliant. Cox has pushed her color palette to explore stronger contrasts—making the images pop off the surface of the canvas. The glistening oil shimmers with fluid emotion created through a combination of silhouette and beautifully modeled forms. The mixture of modulation lends to the complexity of the elaborate compositions.

Frances A. Cox, Two Eccentric Vases II, oil on canvas, 28" x 34"

Join me at the opening reception of Still Life Portraits on Friday, December 13th from 5-7pm. The Renaissance Court Gallery is on the first floor of the Chicago Cultural Center, located at 78 East Washington Street in Chicago.

Gallery Hours: Monday through Thursday; 9am–7pm, Friday; 9am–6pm, Saturday; 9am–6pm, and Sunday; 10am–6pm

Frances A. Cox, White Vase with Hanging Pear, oil on canvas, 28" x 30"

Frances A. Cox was raised in Chicago, IL, graduated from Marquette University and attended the Art Institute of Chicago. Her work has been exhibited in many state group shows as well as regional juried exhibitions across the Midwest and has earned numerous awards from Midwest Museums of Art.

​Solo Exhibitions of her work have been held at the Freeport Museum of Art in Freeport, Illinois as well as the South Bend Museum of Art in South Bend, Indiana.
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Meditative Surfaces ~ ArtScene ~ Fort Wayne Museum of Art

I spent this past Friday night with Maggie Meiners and Deanna Krueger, at the Fort Wayne Museum of Art, speaking about our Meditative Surfaces exhibition currently on display in the museum's Regional Artists Gallery. The exhibition space is pristine yet approachable and the  presentation of the work is beautifully curated. About twenty local art enthusiasts attended the lecture—wanting to learn more about the show's genesis as well as our individual artistic journeys.

Meditative Surfaces continues through January 19th at the Fort Wayne Museum of Art. The Museum is located at 311 E. Main Street in Fort Wayne, Indiana. Museum hours are Tuesday through Saturday 10-6, Thursday 10-8, and Sunday 12-5. Admission is free to members, $7 for adults, $5 for students and seniors 65 and over. The museum offers free general admission every Thursday from 5-8 and Sunday. Learn more at: fwmoa.org