Nancy Rosen, mixed media on paper, 50x50"
This past Friday evening—fighting the remnants of a holiday cold—I was excited to attend the opening reception of Nancy Rosen’s latest solo exhibition titled, “Frankly Mine” at Studio Oh! When I arrived, I was inundated by the crowd of Rosen’s passionate collectors—many who have been made aware of Rosen’s work due to the Netflix show “Grace and Frankie.” The show's producers found Rosen’s work and continue to utilize it as that of Frankie’s—the character played by the iconic Lily Tomlin.
Rosen will tell you that painting—for her—is like breathing… it’s just what she does. She will also tell you that, what you see in her paintings is your own reflection. I agree with her. When you look at any piece of art, you bring your history to that moment. Your personal reality—created by your past—is what you experience.
As a curator, I’ve spent a great deal of time exploring Rosen’s imagery. Seemingly influenced by the organically-abstract style of Egon Schiele—the early 20th century Austrian painter—Rosen creates her figures with irregular lines, generally understated color and beautifully-obsessive background patterns, which result in highly emotional compositions. Mostly the void of men, in my mind, her work is about women and their supportive relationships with other women. Rosen’s imagery defines the beauty and the pressures of the female experience. The beautiful background patterns seem to be symbolic of humanity disappearing into visual chaos.
If you have not had the opportunity to experience the work of Nancy Rosen, make the time to visit Studio Oh! Located at 4839 N. Damen Avenue in Chicago. Gallery hours are Thursday, Friday and Saturday from 1-6 pm and by appointment. The exhibition continues through February 15th.
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As a curator, I’ve spent a great deal of time exploring Rosen’s imagery. Seemingly influenced by the organically-abstract style of Egon Schiele—the early 20th century Austrian painter—Rosen creates her figures with irregular lines, generally understated color and beautifully-obsessive background patterns, which result in highly emotional compositions. Mostly the void of men, in my mind, her work is about women and their supportive relationships with other women. Rosen’s imagery defines the beauty and the pressures of the female experience. The beautiful background patterns seem to be symbolic of humanity disappearing into visual chaos.
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