The Art of Human Rights ~ March 10

Francine Turk, “Francesca”, mixed media including antique French ledger, oil stick, lacquer ink and charcoal, 65” x 52”


On Saturday, March 10th from 7-10pm, Heartland Alliance for Human Needs & Human Rights will present “The Art of Human Rights,” an invitational exhibition featuring silent and live auctions with wine, gourmet fare, and live music. The event, taking place in the 2,500 square foot Coalition Gallery at 217 N. Carpenter Street [west loop], presents; paintings, drawings, photography and sculpture created by twenty-four hand-selected, established fine artists. The commissions from the work sold—priced from $400 to $18,000—will directly benefit the charity. Funds raised through The Art of Human Rights will support the work that Heartland Alliance does to ensure that everyone has a roof over their head, access to health care, the opportunity to earn income to support themselves and their families, and to be treated fairly and with justice.

The exhibition—which I curated—has something for everyone. With a variety of imagery and objects available—whether it is an elegant object to finish a room, or a room-defining statement—this exhibition presents amazing pieces of thought-provoking Fine Art.

Included in this exhibition, is the work of fine art sensation, Francine Turk. Her piece [above], “Francesca”—a large scale, figurative, mixed-media work—is classic Turk. This elegant reclining female nude is created with the used of graceful contour line. Francesca redefines space and transforms the well-known subject into an exploration of emotion and passion. The work is created with a mixture of media, including antique French ledger, oil stick, lacquer ink and charcoal. Pieces from this body of work are testaments of timeless elegance.

John Vlahakis, “Monet”, photograph, edition of 5, 30” x 30”

Photographer, John Vlahakis, captures the drama and beauty of the natural world. The brilliantly colorful floral images—which are almost abstract—explore light and define a quiet moment in time. Vlahakis points out that… “Visually I am drawn by the color and light that each living organism reflects...”

Roland Kulla, “Legget II”, acrylic on canvas, 60” x 40”

Roland Kulla presents a series of hyper-realistic paintings defining segments of various bridges. Kulla explains:

“I’ve used bridges as my primary inspiration for the last twenty years. Based in Chicago, I began my exploration with the world’s largest collection of bascule bridges. In 2006, I began to branch out to other “bridge cities” including Boston, New York City, and Pittsburgh. In 2011, I explored the bridges in Berlin, Germany.

I select certain design elements and eliminate background context in order to emphasize form. What may appear to be a random arrangement of bolts and rivets has, on close inspection, a rigidly patterned logic. Abstracted from their surroundings, the bridges take on new aspects. Some look dangerous, others elegant. The forms are presented in “natural” bridge colors in bold contrast to the voids that they span. They float in light that plays across the surface details. I paint an idealized version of reality on a scale that allows the viewer to enter into the structure and appreciate the monumentality of the form.”

Audry Cramblit, “Paris”, clay / work in progress, 24” tall

Audry Cramblit is one of seven incredibly talented sculptors included in the exhibition. Cramblit presents a variety of work, two in bronze and another in clay. “Paris”, a twenty-four inch high figurative clay sculpture, is an obvious focal point in the exhibition. The tactile figure is adorned with the layering of contemporary designs, symbols and words, forming a complex surface of information. Through the experimentation of materials, Cramblit has developed techniques as unique and varied as her one-of-a-kind sculptures.

There are twenty-four exhibiting artists in “The Art of Human Rights” exhibition. They are: Christopher Andres, John Benedetto, Jenny Chi, Audry Cramblit, Jane Fulton Alt, Sheila Ganch, Charles Gniech, Andrea Harris, Vesna Jovanovic, Paula Kloczkowski Luberda, Deanna Krueger, Roland Kulla, Richard Laurent, Maggie Meiners, Rebecca Moy, Didier Nolet, Nancy Pirri, Ted Preuss, Nancy Rosen, Valerie Schiff, Tom Torluemke, Francine Turk, Michael Van Zeyl, and John Vlahakis.

On Saturday, March 10th from 7-10pm, The Art of Human Rights will be presented at the Coalition Gallery, located at 217 N. Carpenter Street in Chicago. Work sold at this Fine Art exhibition will benefit Heartland Alliance for Human Needs & Human Rights. Tickets are $125 in advance and $150 at the door. Tickets may be purchased on line at artofhumanrights.com or by calling Michelle Marvin at 312.660.1339.
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human ~ Adrian Cox

The average snowfall in a Chicago winter is 38”. We had eight of those inches on Friday, January 20th …. the night of the opening reception of the human exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. Surprisingly, the reception was jam-packed. Artists and patrons had driven for up to five hours—over snow-covered highways—for a look at this collection. Two of the Artists from St. Louis even attended.

“human” is a national juried exhibition with the commissions from the sale of work to benefit Heartland Alliance for Human Needs & Human Rights. The show is comprised of work by twenty artists from around the country. Recently, I was asked if there is a common thread that ties the work together. The obvious answer is that the work relates to the human form or the human condition. But after thinking about the question for a minute another response emerged. The work—ranging from strangely grotesque to classically beautiful—seems to be about the unconscious. The images seem to reference how we perceive the human condition while we sleep. Dreams and nightmares are the common subject of the work contained in “human”.

One of the twisted—nightmarish—pieces that I was enthralled with when selecting the exhibition, was an untitled painting by Adrian Cox [above]. Cox refers to the figures presented in this recent body of work as “…horrific, violating every natural state as their borders undergo deformation… …intended to mitigate reactions of fear and disgust.” And I’m intrigued. Below is another sample from the new series. This small piece, titled "Coagulation", seems to be a highly distorted self portrait. The image makes subtle visual reference to the artist's physical appearance with clear distortions. The artist's statement talks of the disappearance of the exterior physical shell... a place where the interior and exterior of the flesh mingle... having no boundaries. You can find the artists statement in its entirety—along with this and other images from his recent body of work—at: adriancoxart.com.


The untitled piece by Adrian Cox, as well as thought-provoking work by nineteen other artists can be seen at Gallery 180 of The Illinois Institute of Art-Chicago, through March 1st. Gallery 180 is located at 180 N. Wabash [at the corner of lake and Wabash] in Chicago’s Loop. All work is available for purchase with commissions donated to Heartland Alliance for Human Needs & Human Rights. The show can also be seen online at gallery180.com.
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human ~ A National Juried Exhibition to benefit Heartland Alliance

Gallery 180 of The Illinois Institute of Art-Chicago presents: “human", a collection of fine art, from around the country, that explores the human form as well as the human condition. The exhibition includes a variety of painting, drawing, photography and sculpture. Commissions from the sale of work, included in this exhibition, will be donated directly to Heartland Alliance for Human Needs and Human Rights which provides life changing opportunities to people around the world who are homeless, seeking safety or living in poverty.

I selected twenty artists from around the country to present their work in this exhibition. This year, the exhibiting artists are: Christopher Andres, South Bend, IN; Marisa Andropolis, Algonquin, IL; Tamie Beldue, Black Mountain, NC; E. Thurston Belmer, St. Louis, MO; John Benedetto, Winnetka, IL; Brandon Briggs, Bowling Green, OH; Adrian Cox, St. Louis, MO; Audry Cramblit, Chicago, IL; Matthew Dercole, Chicago, IL; Benjamin Fedosky, Berkeley, CA; Sheila Ganch, Chicago, IL; Vesna Jovanovic, Chicago, IL; Paula Kloczkowski Luberda, Naperville, IL; Jason Lascu, Nashville, TN; Catherine Maize, South Haven, MI; David Mazure, Milford, PA; Nichole McCormick Santiago, Williamsburg, VA; Ted Preuss, Chicago, IL; Jim Tansley, Chicago, IL; Kenju Urakubo, Jackson Heights, NY; and Jonathan Weiss, Chicago, IL

The plaster-sculpted self-portrait, by Benjamin Fedosky [shown above], is included in the “human” exhibition. The piece was inspired by a trip to the ancient city of Pompeii. Fedosky explains…

Displayed among the ruins were plaster casts made from the bodies buried in volcanic ash. These stark and evocative artifacts impressed me immensely. Upon returning home, I began working in directly modeled plaster. This technique involves building a form that is both modeled and carved as the plaster sets until the sculpture is finally realized. The work began as a study of my face. The face quickly became a head, then a bust, developing over a month’s time through a concentrated dialogue between the process, subject, and materials.

“human” will be presented at Gallery 180 of The Illinois Institute of Art-Chicago through March 1, 2012. Previews begin on January 16th with a catered Opening Reception scheduled for Friday, January 20th from 5:30-7:30pm. All works are available for purchase. Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information—and images from the exhibition—can be found at gallery180.com.

Benjamin Fedosky is a sculptor and painter living in Berkeley, CA. He studied at the University of Wisconsin-Milwaukee from 1997-1999 and has since developed a self-directed approach to his art and studio practice. Working primarily with the sculpted human form and the painted landscape, Fedosky uses suggestive modeling, active surface treatments, and expressive mark-making to create evocative works that pursue the essence of subject and form. Fedosky has exhibited in solo and group shows throughout the U.S. and in Canada, and his works are held in selected private collections.

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Pamela Michelle Johnson ~ Closes Thursday

The above image is a page from the December issue of "Where" magazine, Chicago. It highlights the imagery of Pamela Michelle Johnson, currently on exhibit at Gallery 180 of The Illinois Institute of Art-Chicago

If you haven't had the opportunity to experience the large scale food paintings, you have only a few more days. The exhibition closes on Thursday. Galley 180 of The Illinois Institute of Art-Chicago is located at 180 North Wabash, which is the corner of Lake and Wabash in Chicago's Loop. See gallery180.com for details.
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Valerie Schiff and The Art of Human Rights

Last week, I received an email from Valerie Schiff. The message had an interesting subject line. Normally, if the sender is not familiar to me, the email is trashed. But this subject line read: “Two Artists THOUGHT WE SHOULD MEET”. I was intrigued. Who was Valerie Schiff? And which two artists suggested that we meet?

Of course I googled Schiff and found a web site filled with figurative sculpture in terracotta or bronze. Again, I was intrigued. We scheduled a meeting and met yesterday morning in her Evanston studio.

When I arrived, a seasoned sculptor greeted me. Her work surrounded us. The scale of the pieces caught me off guard…they were much larger then they appeared on line. I spent some time wondering around the room exploring the various nuances’ of each piece, before sitting down to chat. Even in mid-conversation, I was drawn to yet another subtle gesture incorporated into one of the forms. I found myself up—out of my chair—again, wondering around the room, while continuing our discussion.

As I explored, I found that Schiff’s work was not a study of the human form but a study of the human soul. The emotion found in her work, emits a connection with the viewer. The viewer is drawn into the form—whether realistic or abstract—they are emotionally moved.


I invited Valerie Schiff to present a few of her works in the upcoming “The Art of Human Rights” event. It is an event that benefits Heartland Alliance—a charitable organization that I’ve worked with for the past few years. This year, I am chairing the affair, which will take place at the Coalition gallery [217 N. Carpenter, Chicago] on Saturday March 10th —followed by “coffee with the artists” on Sunday morning. Commissions from the sale of work will be donated directly to Heartland Alliance. Tickets for the event can be purchased at: heartlandalliance.org or by contacting Michelle Marvin directly at 312.660.1339 or mmarvin@heartlandalliance.org. I hope to see you there… save the date! Saturday, March 10th 7-10pm.

In the coming weeks, I will be writing about "The Art of Human Rights" event as well as the artists who were invited to participate.
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Sheila Ganch ~ human

Image: Sheila Ganch, "Clustered" • stoneware, aluminum, limestone • tallest form 21” each base is 3” x 3” • 2011

I received a shipment of exhibition catalogs for the "human" exhibition, from the printer today. I've work with Modern Postcard for a number of years and they always seem to do an amazing job... and they did it again. The twenty-four page 8.5 x 11", full color catalog, documents the various artists selected for this exhibition. After the pieces were selected, each of the artists were ask to provide a short statement and a one-hundred word biography. This information was used to create the catalog, which will be used to promote the show and to help with the sale of the work.

The "human" exhibition was produced as a benefit for Heartland Alliance. Commissions from the sale of work, will be donated directly to Heartland Alliance for Human Needs and Human Rights, which provides life changing opportunities to people who are homeless, seeking safety or living in poverty. Copies of the catalog will be sent to my collector base and will be available during the exhibition at Gallery 180 of The Illinois Institute of Art-Chicago. The exhibition opens to previews on January 16, 2012.

One of the sculptors included in "human" is Sheila Ganch. Her grouping of abstracted figures titled 'Clustered", has elements of stoneware and aluminum. In talking about her work, Ganch explains:

A string of challenges are considered and resolved in the creation of these clay forms. The material is sculpted, coaxed, textured, low fired, pigmented, and finally high fired to produce the stoneware sculpture. The final form is mounted on limestone. A single figure in the grouping is cast aluminum, which was sand casted from one of my original stoneware forms.

A reflection of my process, these pieces emerge from an intuitive level that evolves when the clay, stone and metal merge to create what is a thought provoking artistic form. This final form does not exist within a vacuum, but can only be seen as a result of the process. “Clustered”, is the result of a this process. It seeks to capture a sense of community that is missing from our present social and political environment. These figures are gathered to share and honor their differences.

Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com. Other work by Sheila Ganch can be found at: sculpturebysheilaganch.com

Sheila Ganch received her degree from Ohio State University, but considers her postgraduate training with other fine sculptors to be the reason for her success. Her work has been exhibited at the Bellevue Washington City Sculpture Show, The Fort Wayne Museum of Art; Fort Wayne, IN, The Chicago Cultural Center, The Illinois Institute of Art-Chicago, The Harold Washington Library; Chicago and Veridian Gallery; New York. Ganch is currently represented by Gallery H; Three Oaks, Michigan, and The Chicago Art Source Gallery; Chicago.
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Ted Preuss ~ human

Image: Ted Preuss, "Recline", Silver Gelatin Print, 17" x 22", edition of 10

One of the amazing artists, selected to exhibit at the upcoming "human" exhibition, soon to be presented at Gallery 180 of The Illinois Institute of Art-Chicago is photographer, Ted Preuss. Preuss, a Colorado native, is currently living and working in Chicago. His work is not new to me. I've followed his career for the past six or eight years. His imagery has always been tasteful and exquisitely elegant. Three pieces will be included in the exhibition. Preuss defines his work:

The subject matter in which I photograph is not unique. It is what captures my mind’s eye and imagination. As an artist, I have always been interested in the human form and its many interpretations. I believe there is something inherently beautiful about the human body.

Through my lens I seek to capture the elegance and natural beauty of the female form, yet secretly wishing to leave traces of their identity forever. My images are studies in light and form, which blend formal and sensual qualities, radiating the individuality of my subjects through their emotion-laced gestures. Consequently the images I have captured have a warmth inner beauty with a poetic and distinct elegance.

Join us for "human", which opens to previews on January 16th. An opening reception is scheduled for Friday, January 20th from 5:30-7:30. The "human" exhibition is a national juried exhibition benefiting Heartland Alliance. Commissions from the sale of work, will be donated directly to Heartland Alliance for Human Needs and Human Rights, which provides life changing opportunities to people who are homeless, seeking safety or living in poverty.

Gallery 180 is located at 180 N. Wabash—at the corner of Lake and Wabash—in Chicago’s Loop. The gallery is open Monday through Thursday from 8am-8pm, Friday 8am-5:30pm and Saturday 9am-5pm. Additional information can be found at gallery180.com. Other work by Ted Preuss can be found at: preussphotography.com

Ted Preuss, a self-taught photographer, was born in Colorado in 1962. He picked up his first camera at the age of seven and instantly became obsessed with the nature of the medium. His passion for photography led to a career as a freelance architectural photographer for a decade in Boston and San Francisco. Today his work is primarily fine art B&W photography using vintage view camera with century old lenses. The process of making prints is as important to him as the practice of creating photographs. Preuss chose hand coated platinum-palladium as a medium for its distinct vintage quality and archival properties. His work been featured in Zoom Magazine, Focus Magazine, and Large Format Magazine.
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